Researchers
Sónia Pina 
Intermedia, intermediality, Fluxus, New-Media, Intersemiotics, communication, expanded-arts, visual ontologies
Sonam Chaturvedi 
visual art, time, memory, memory-work, temporality, community based art work, Collaborative Space
Christoph Solstreif-Pirker 
Anthropocene, trauma, political ecology, performative research, non-philosophy, ecofeminism, copoiesis, psychoanalysis, continental philosophy, architecture, space, environmental ethics, artistic research, Feminist Theory, art theory, psychotherapy, pessimism
Vidmina Stasiulyte 
experimental aesthetics, sound embodiment, fashion alternatives, boundary artefacts, inclusion
Srisrividhiya Kalyanasundaram 
aesthetics and philosophy, Ecological Consciousness, Eco-ethics, Eco -philosophy and Eco-aesthetics, Arts Education, Visual Design, Illustration, Earth Education, Conservation, Communication, Art History, Creative Writing, Indian art and aesthetics, Indian philosophy, Ecological consciousness, Eco-philosophy, Eco-art and aesthetics
Charlotta Ruth 
repetition, liveness, documentation, ludic structures, choreography, participation, collaboration
Nathalie S. Fari 
site-specific performance, performance documentation, video performance, performed photography, filmmaking, embodiment, agency
Paola González-Vargas 
performance, soundscape, sound narrative, aesthetics, Aesthetics and Theory of Arts, technology, Technology Culture, Artificial Intelligence (AI)
Jessica Renfro 
Participation, socially engaged art, new media art, practice-based research, digitality
Tony Rabesca 
indigenous knowledge, Indigenous media, oral history, cultural memory, traditional knowledge, FILM
Olando Whyte 
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism
Stuart Slater 
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme
