Researchers
Benedict Olk 
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Paul Vickers 
Sonification, auditory display, aesthetic experience, aesthetics of sound, aesthetics of sonification
Marion Reuter 
acting, presentation, representation, Perception and Consciousness, courage, vulnerability, improvisation
Charlotta Ruth 
repetition, liveness, documentation, ludic structures, choreography, participation, collaboration
Qiong Zhang 
performance; re-enactment; landspace; site; environment;, ecology, creative writing, surveillance, Choreography, performative practice
Catherine Cartwright 
trauma, ethics, Participatory Art, participatory arts, Printmaking, collage, collaboration, Spaces
Maria Jonsson 
archival practice, archival art practice, art theory, Film studies, Art history, photographic practice, forest, natural science
Bruno Tagliasacchi Masia 
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
