Alex Nowitz
contemporary vocal performance art, voice, extended practice, improvisation and real-time composition, voice and live electronics, composition, composer-performer, politics of voice, philosophy of voice
Iram Ghufran
Documentary experimental, Artistic reserach, Media Arts, Technology and Culture, science fiction, archive
Erik Friis Reitan
PHOTOGRAPHY, photosculpture, installation, Installation Art, phenomenlogy, Object Oriented Ontology, land art, Minimalism, visual art, zen, space, spacial art, landscape, ecology, technology, nature, sublime, contemporary dance, Media Arts, Physics, Astronomy, Natural Agency, Immersive Environments, immersive theatre, Artificial Intelligence (AI)
Eric Souther
Code, toolmaking, new media art, New Materialism
Dumond Camille
artistic research, art, artschools, switzerland research community
Emma WIlliams
historically informed performance, 19th century, violin, voice
Wei-Ya Lin
artistic research, ethnomusicology, indigenous music, Indigenous Studies, indigenous knowledge, Taiwan, Music Education, transdiciplinarity, auditory ontology, composition process, curatorial practices
Theodore Parker
Improvisation, electroacoustic music, site specific artwork
Anna Nygren
Language, Language of things, posthumanism, Literature, Poetic Research, horses, autism, materiality
Lucia Koevoets
haptic, memory, Present Moment, Fine Arts, art education
Hiba Masad
Storytelling, Printmaking, reading, belonging, Artistic reserach, public space, public art, libraries, archives, identity, Homeland, home, Pain, collective memroy
Celine Lyng
songwriting, artificial intelligence, technology
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio