Researchers
Marie Fahlin 
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Jacob Anderskov 
artistic research, artistic processes, music, improvisation, composition, performance, philosophy, aesthetics, methodology, phenomenology, Hermeneutics, post-structuralism, Noise, post-tonality, ensemble, interplay, embodied cognition, participation, litterature, genre theory, metaphor, arts education, science studies, Cultural Studies, sound
Christina Stadlbauer 
interspecies, urban, honeybees, biodiversity, transformation, ritual, kin tsugi, bacteria, Bio Kin Tsugi, mollusk, post qualitative research
Paul Craenen 
artistic research, contemporary music, Aesthetics and Theory of Arts, Embodied knowledge, Intermedia, education
Lenka Vesela 
Feminist Technoscience, Queer Ecologies, Synthetic Bodies, Synthetic Knowledges, Cyborg Becoming, Artistic Research, Anthropocene Feminisms, Anti-Toxic Action, Posthuman Feminisms, Material Feminisms
Linn Henriksson Strååt 
Devising, scenography, costume design, devising theatre, Deleuze, phenomenlogy, New Materialism, carnal aesthetics
Thilde Dalager 
experimental animation., authorial illustration, abjection, interdisciplinarity, the gaze, Julia Kristeva
Joonas Lahtinen 
performance, live art, installation, participation, artist pedagogy, HEI pedagogy, public space, spatial politics, spatial analysis, epistemology, perception, politics of the body, performativity, continental philosophy, politics of architecture, mundane, text, forms and formats of research dialogue, institution, academia
Késia Decoté Rodrigues 
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
