Marko Ciciliani
audiovisual composition, transmedia composition, intermedia, Storytelling
Terhi Marttila
digital art, digital literature, voice, electronic arts, Interactive Narratives, interactive art, interactive multimedia, games, Feminist Theory, sound art, migration
Jennifer Anyan
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Ulvi Haagensen
artistic research, autoethography, drawing, performance, sculpture, installation, the everyday, blurring
Tim Sayer
Music Performance, improvisation, music cognition, live electronics, Music Psychology
Constantinos Miltiadis
architecture, virtual environments, real-time interaction, spatiotemporal environments, Spatial Audio, philosophy, game studies, virtual reality
Illia Razumeiko
music theater, Composed Theatre, performance; re-enactment; landspace; site; environment;, performance; landscape; video; sound; installation
D.A. Calf
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
E.Reynolds
alternative art schools, alternative pedagogies, de-centring spaces, conceptualising frameworks for artistic research, sites of participation, performative research tools, deep mapping.
Marco Döttlinger
Media Arts, Experimental music, Sound Art, composition, computer music, machine learning, improvisation, Human-machine-Interaction, speculative materialism
Joanna Kalm
Somatic practices, embodied writing, participatory arts, expanded choreography, anthropology, autoethnography, Experiential Learning, ecosomatic