Mark Tatlow
early music performance, early opera, embodied research, the musical event
Luis Miguel Delgado Grande
music theory, composition, Semiotics, representational theories, Nonrepresentational Theory, soundscape, sound art
Marko Ciciliani
audiovisual composition, transmedia composition, intermedia, Storytelling
Sonam Chaturvedi
visual art, time, memory, memory-work, temporality, community based art work, Collaborative Space
Julieanna Preston
live art, spatial design, performance writing, new materialism, sound art, aurality
Elsa Kosmack Vaara
time, artistic research, culinary arts, transdiciplinarity, prototyping, sustainability, participatory culture, participatory design
Wei-Ya Lin
artistic research, ethnomusicology, indigenous music, Indigenous Studies, indigenous knowledge, Taiwan, Music Education, transdiciplinarity, auditory ontology, composition process, curatorial practices
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Garrett Lynch IRL
networked art, networked performance, post-disciplinary practice, digital arts
Debashis Sinha
sound, sound art, soundscape, sound narrative, ethnography, Storytelling, urban space, mythologies
Matthew Kaner
composition as research, adaptation, narrative, Practice Research
Aðalheiður Sigursveinsdóttir
experimental systems, embodiment, Vibration, socially engaged art, feedback loops, feminism, oneness, performance, theatre, Dramaturgy, improvisation, existential philosophy, phenomenlogy, spiritual art, writing, staged absence, symbolism, typography, artheorypractice, artistic processes, Monodrama, the fragmentary, pattern, generative neural networks, Perfomance art, poetry