Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Andrew Champlin
dance, visual art, participatory spectatorship, technique, music aesthetics
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Rania Ghazali
animation, motion design, illustration, visual art, drawing
Laureen Mahler
making, practice-led research, interdisciplinarity, origami tessellations, folding, materiality, entanglements, dynamic space, visuality of making, sustainability, perception
Vilja Achté
computer-generated imagery, narrativity, environmental humanities, digitality, new media art