Researchers

Ellen Kristine Ugelvik
Piano, piano technique, piano concerto, contemporary music
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Elisabeth Schäfer
deconstruction, Philosophy of the Body, Écriture féminine, Cixous, Derrida, Kristeva, Irigaray, Nancy, queer theory, Feminist Art, Feminist Philosophy, psychoanalysis, Butler, Freud, Laplanche, Theories of Embodiment, Theories of Subjectivation
Rikki Wolpowitz
Baroque music in Vienna, JS Bach and Politics, The Death of the Orchestra, Leopold Hofmann, The Origins of Standardized Pitch
Rinde Louise WIllemijn Yildiz
music, performance, psychiatry, psychoanalysis
Thaís Amorim Aragão
Media studies, sound studies, urban space
Helena Marinho
performance research
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Marc Johnson
alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history, alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history
Natan Alberca
aesthetic experience, embodied cognition, animation 2D and music explore, sense perception, meditative process, etching, Video art, video game
MARIANA Barrote
trangression, myth, drawing, mental images, body, humor
Bamdad Khoshghadami Hosseini
musicology, Music Education, artistic research
Filip Novák
embodiment, Embodied reflection, dance, theatre, Applied Theatre, psychosomatics, pedagogy