Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Elsa Kosmack Vaara
time, artistic research, culinary arts, transdiciplinarity, prototyping, sustainability, participatory culture, participatory design
Mia Seppälä
public space, public art, accessibility; web images; alt text, performance; re-enacment; site; environment, constructions of public-ness, transcorporeal
Jordan Sand
double bass, improvisation, composition, process-based, penguin, Music philosophy, nomadism, breathing, voice, organ, hymn, violin, Collaborative Space
Helen Felcey
ceramics, Craft, design, Health, well-being, Buddhism
Hans Lennart Jonsäll
electroacoustic music, electronic music, live electronics, composition, Experimental music, sound art, synthesizers, Experimental musical instruments, modular synthesizers, spirituality, Religious Studies, free improvisation, improvisation
Dianne Reid
screendance, dance improvisation, site specific performance, contemporary dance, interactive performance