Sander Hölsgens
Phenomenology, Visual arts, architecture, Film-making, documentary film, activism
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Liz Rech
movement, social movements, aktivism, affect, choreography and performance
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Jasmin Schaitl
performance, visual art, participatory arts, memory, haptics, installation
Marc Johnson
animal studies, archival imagination, archival film practice, critical archival studies, critical theory, colonial archives, European heritage, expressions of marginalized identities, film-makers in the archives, film studies, historical consciousness, historicity, historiography, oral history, photographic records, sampling, visual literacy, archival activism, archival amnesty, counter-narratives archives, contested narratives, contre-histoire, liberatory archives, reparative archive
Lucia Koevoets
haptic, memory, Present Moment, Fine Arts, art education