Researchers
Marsha Bradfield 
dialogic art, Writing as artistic research, live projects, postartistic, useology, occupational realism
Michael Duch 
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
Paul Vickers 
Sonification, auditory display, aesthetic experience, aesthetics of sound, aesthetics of sonification
Jessica Kaiser 
artistic research, Performance studies, music interpretation, music aesthetics, Music philosophy
Wei-Ya Lin 
artistic research, ethnomusicology, indigenous music, Indigenous Studies, indigenous knowledge, Taiwan, Music Education, transdiciplinarity, auditory ontology, composition process, curatorial practices
Martin Scheuregger 
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Gareth Osborne 
practice-based research, immersive arts, immersive learning, education, immersive theatre, Digital Storytelling, Embodied knowledge, artificial intelligence, participatory design, collaborative creativity, cultural spaces, children's participation, children's literature, artistic research, creative writing
Jez Coram 
Artistic Essaying, Essay Film, Digital Media, Digital Cultures, Capitalist and Climate Futures
Joanna Staruch-Smolec 
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Marco Döttlinger 
Media Arts, Experimental music, Sound Art, composition, computer music, machine learning, improvisation, Human-machine-Interaction, speculative materialism