Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Karst de Jong
Music Theory, Improvisation, Harmony, Analysis, Composition, (collaborative) Creation
Manuel Macía
coloniality of sense, curatorial, discursive practices, knowledge infrastructures, neoliberal episteme, ontological design, pharmacoloniality, political aesthetics, politics of artistic research
Jamie Savan
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Eka Chabashvili
music, composition, Contemporary art, genetics, Physics, land art, piano, experimental, audio-visual, film music, fine art, ancient cultures, ecomusicology
Archie Reid
posthuman, queer, art process, art, synesthesia, perception, process, media, technology
Katerina Undo
Coexistence, transience and transition, artificial intelligence, artificial speech, mediation, machine, embodiment
Michal Lovecky
digital worlds, metaverse, XR, virtual reality, transdiciplinarity, co-design, co-creation, ocean, immersive technologies, Immersion, marine science, collective action research, impact
Helena Persson
sound art, sound art installations, site specific artwork, spatial art, sound composition, listening