Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Mark Tatlow
early music performance, early opera, embodied research, the musical event
Rachel Kaminski Sanders
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Martyna Kosecka
Music analysis, composition, composition technique, composition process, microtonal music, Spectral music, sonoristic music, electroacoustic music, electronic composition, new opera, experimental voice
Gareth Osborne
practice-based research, immersive arts, immersive learning, education, immersive theatre, Digital Storytelling, Embodied knowledge, artificial intelligence, participatory design, collaborative creativity, cultural spaces, children's participation, children's literature, artistic research, creative writing
Hubert Thériault
Mythology, anti-colonialism, dissolution, territory, somatics, Reenactment
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater
Luc Gosselink
design, art, furniture design, repair, environmental awareness, change is possible