Researchers
Torben Snekkestad 
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Rikki Wolpowitz 
Baroque music in Vienna, JS Bach and Politics, The Death of the Orchestra, Leopold Hofmann, The Origins of Standardized Pitch
Daniel Adrian Malpica Gomez 
graphic design, literatute, poethics, creative writing, visual poetry, multimedia, narratives, visual art, design, language
Alexander Rishaug 
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Elina Akselrud 
music, interpretation, interpretation analysis, collaboration, multidisciplinary, performance, performing arts, multidisciplinary art, Crossover, cross-disciplinary, cross-genre, musical expression, crossdisciplinary, crossdisciplinary art, scriabin, Chamber music, chamber ensemble
Oprescu Simina 
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Joanna Staruch-Smolec 
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
