Klaus Hu
1: strata / geology / genealogy of history 2: the digital / the sensual / appropriation 3: landscape / the Anthropocene / conflicts on resources 4: escapism / sci-fi and narrative territories
Tero Nauha
non-philosophy, post-humanism, afrofuturism, schizoanalysis, New Materialism, heresy, visual cultures, capitalism
Helen Kindred
embodiment, improvisation, dance, Dance education, performance
Russell Marshall
drawing, ambiguity, hyperdrawing, drawing ambiguity, drawing disambiguation
Nareeporn Vachananda
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
Martí Ruiz i Carulla
sound art, Soundsculpture, acoustics, participation, DIY, socially engaged art, science and art
Jean Beers
Music, phenomenology, music, composition, piano, performance, sound art, phenomenlogy, deconstruction, interpretation, analysis
Maarika Autio
music, global music, artistic research, balafon, cultural appropriation, artistic identity, african tradition, affordances, kora, africa
Aino-Kaisa Koistinen
creative writing, collective writing, experimental writing, more than human, speculation, poetics, feminist posthumanities, ecofeminism, environmental writing, collective research in arts, collaborative writing, speculative fiction, speculative feminism, animal ethics, affect, artist pedagogy, feminist pedagogy, ecopedagogy, ecojustice pedagogy, art as activism, environmental pedagogy, art writing, artivism, Writing as artistic research, artistic research on writing, language-based artistic research, practice-based literary studies
Aðalheiður Sigursveinsdóttir
experimental systems, embodiment, Vibration, socially engaged art, feedback loops, feminism, oneness, performance, theatre, Dramaturgy, improvisation, existential philosophy, phenomenlogy, spiritual art, writing, staged absence, symbolism, typography, artheorypractice, artistic processes, Monodrama, the fragmentary, pattern, generative neural networks, Perfomance art, poetry