Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Sonam Chaturvedi
visual art, time, memory, memory-work, temporality, community based art work, Collaborative Space
Kersti Grunditz Brennan
filmmaking, film editing, dancefilm, moving images, cinematic storytelling, Film studies, physical cinema, character development, collaborative practice
Nathalie S. Fari
site-specific performance, performance documentation, video performance, performed photography, filmmaking, embodiment, agency
Evi Jägle
Deleuze, art, post-structuralism, film-philosophy, performance philosophy, Foucault, philosophy as art, Philosophy On Stage
René Silva
Artistic Research Music, Musical Composition, Contemporary Music, Barrel Organs, heritage engagement
Martyna Kosecka
Music analysis, composition, composition technique, composition process, microtonal music, Spectral music, sonoristic music, electroacoustic music, electronic composition, new opera, experimental voice
Pedro Amado
type design, typography, interaction design, creativity, creative coding, creative computing, web design, design, graphic design, editorial design, interface design, Human-Computer Interaction
E Stifjell
music, composition, loudspeaker technology
Sarah Bennett
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
derek pigrum
visual art, Semiotics, philosophy, education, phenomenology, practice, process, Practice-as-research