Researchers

Albert Cheng-Syun Tang
Design, Critical practice, Critical speculative design, information technology, Human-machine-Interaction, creative computing, Politics of design, interaction design, graphic design, visual communication, philosophy, artificial intelligence, democracy
Iram Ghufran
Documentary experimental, Artistic reserach, Media Arts, Technology and Culture, science fiction, archive
Electa Behrens
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Vasco Alves
music, Music Education, Musical performance, music aesthetics, Music philosophy, Music analysis, music theory, Musical Cultures, Music editing, musical instruments, musical narrative, Musical Syntax, musical communication, musical expression, musical narration, musicality, musical and artistic development, musical literacy, musicology, music theater
Jakub Jan Ceglarz
Layers, art, queer theory, Foucault, performance; landscape; video; sound; installation, Golding, Palimpsest, continental philosophy
James Wood
Literature, music, aesthetics, postcolonialism, Decolonizing methodologies, phenomenlogy
Merja Ryöppy
Participatory theatre, Object theatre, improvisation, human-object relating, design process, participatory design
Barbara Graf
Body based art, artistic research, phenomenlogy, lived experiences, drawing, Textiles
Barbis Ruder
performance, body, sculpture, orthesis, prothesis, sports, medicine, interdisciplinary, art, body art, body of work, body of the performer, physiology, physicality, artistic research, Medical Humanities, medicine technic, interdisciplinarity, conjunction
Egle Oddo
performance, visual arts, vegetal biodiversity, installation, site responsive practices, Site-specific, photography
Qiong Zhang
performance; re-enactment; landspace; site; environment;, ecology, creative writing, surveillance, Choreography, performative practice
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Jung-Jae Kim
contemporary music, free improvisation, cross-genre, collaboration
Panayiotis Kokoras
Sound Composition
Anke Zijlstra
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship