Matthias Heyman
jazz, popular music, improvisation, jazz history, Jazz Studies, HIP, historically informed performance, artistic research, bass, double bass
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Manoela dos Anjos Afonso Rodrigues
Visual Arts, Autobiography, Decoloniality, arts-based research, practice-based research, practice as research, artistic method, methodology, socially engaged art, Transpedagogy, interdisciplinarity, transdiciplinarity, multidisciplinary, postdisciplinarity, Narrative Research, Oral History, family archives, Life writing, Life stories, Diary, Correspondence, Archive, Memoir
Nathalie S. Fari
site-specific performance, performance documentation, video performance, performed photography, filmmaking, embodiment, agency
Dominik Schlienger
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Paola González-Vargas
performance, soundscape, sound narrative, aesthetics, Aesthetics and Theory of Arts, technology, Technology Culture, Artificial Intelligence (AI)
D.A. Calf
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
Dániel Máté
home, design, ideology, Semiotics, nationalism, modernity
Luiz Zanotello
transmedia, translation, new materialisms, poetics, language, distance, affect, ecology, time, auto-ethnography, post-colonial, site-specificity
Natan Alberca
aesthetic experience, embodied cognition, animation 2D and music explore, sense perception, meditative process, etching, Video art, video game
Jehanne Paternostre
Contemporary art, drawing, History, Archeology, memory, monument, trace, restoration, multidisciplinary, in situ experience