Matthias Heyman
jazz, popular music, improvisation, jazz history, Jazz Studies, HIP, historically informed performance, artistic research, bass, double bass
Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Terhi Marttila
digital art, digital literature, voice, electronic arts, Interactive Narratives, interactive art, interactive multimedia, games, Feminist Theory, sound art, migration
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Kersti Grunditz Brennan
filmmaking, film editing, dancefilm, moving images, cinematic storytelling, Film studies, physical cinema, character development, collaborative practice
Jennifer Anyan
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Beate Körner
psychosocial, normativity, Performance art, performative research, performance, transgression, artistic research, activism, collaborative processes, arts education, affect theory, care
Sigrid Espelien
clay, soil, landscape, leire, jord, landskap, situert kunnskap, blåleire, tegl, jording, kunsthåndverk, keramisk kunst, brukskunst
Garrett Lynch IRL
networked art, networked performance, post-disciplinary practice, digital arts
Leslee Smucker
liminality, violin, contemporary music, Experimental music, theatre, prepared instruments
Isabel Frey
ethnomusicology, Jewish Music, folk music, nationalism, yiddish, voice studies, sound studies, gender, minorities, diaspora, activism