Researchers
Luisa Greenfield 
analog film, performance; landscape; video; sound; installation, practice-based research, artistic research, Essay Film
Misha Penton 
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Eleni-Ira Panourgia 
Sculpture, sound, sound art, materials, Materials of sound, practice-based research, Practice-as-research, Performance art, Installation Art, interactive art, interdisciplinarity
Anne Marthe Dyvi 
Media Arts, Video art, moving images, Colour, time based media, time, art, technology, History, politics, poetry
Marie-Andrée Robitaille 
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Carmen Raffaela Küster 
circus, performance, design thinking, aerial acrobatics, Body Mind Soul, body & object relationship, nature, trees
David Szanto 
food art, food studies, gastronomy, eco-gastronomy, transdiciplinarity, research-creation, performance
Bruno Tagliasacchi Masia 
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
