Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Nora Rinne
performance art, live art, artistic research, children, childhood, verbatim, imitation
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Julia Fromm
Factual and Fictional Narration, Resilience, Performance art
Mirjam van Tilburg
art, artedu, teacher education, teacher training, Educational Turn, education
Sara Key
Semiotics, humour, attention, iconoclasm, acting, directing, philosophy of ethics, art cinema, poetic art
Monica Lim
Interactive Composition, Interactive Art, Experimental Music, New instruments for Music Exploration, Computer Music, AI in Music
Seo Young Lee
Space industry, Design research, speculative design
Ali Williams
creative practice research, embodiment, cognitive science, mind, ceramics, movement, sound, interconnectedness, relationality, attention, transdiciplinarity, collaboration, creative process