Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Stacey Sacks
presence, embodiment, representation, animation, theatre, Sculpture, drawing, intimacy, audiences, fragmented narratives, activism, whiteness, masking, clown, performance, performer
Geir Harald Samuelsen
Painting, Archaeology, mountain climbing, PHOTOGRAPHY, writing, drawing, haptic visuality
Elin Tanding Sørensen
artistic research, artistic method, architectural research, urban blue, more-than-human, more-than-human care, urban ecology and water-management, co-creational practices, experimental archeology, marine landscape architecture, marine biology, ecological engineering, ethic of wonder, nature as mentor, multispecies urbanism, undisciplined
Electa Behrens
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Maud Haering
Caldara, singing, salterio, scialmo, chalumeau, cymbalum, Psalterium, Vienna, Oratorio
Marc Johnson
animal studies, archival imagination, archival film practice, critical archival studies, critical theory, colonial archives, European heritage, expressions of marginalized identities, film-makers in the archives, film studies, historical consciousness, historicity, historiography, oral history, photographic records, sampling, visual literacy, archival activism, archival amnesty, counter-narratives archives, contested narratives, contre-histoire, liberatory archives, reparative archive
Michael Lukaszuk
computer music, new media art, Algorithmic Composition, post-digital, Instrumentality