Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Josué Moreno Prieto
urban sonic space, generative art, Algorithmic Composition, urban space, Urban Acoustics, Intermedia, SITE-SPECIFIC ART
Emma WIlliams
historically informed performance, 19th century, violin, voice
Merja Ryöppy
Participatory theatre, Object theatre, improvisation, human-object relating, design process, participatory design
Andrea Moneta
Spatial Practice, site-specific performance, architecture, heritage, virtual worlds, metaverse, urban design, participatory design
Greg Bruce
artistic research, electroacoustic music, improvisation, classical performance practice, saxophone, Augmented Instruments, analogue electronics, analogue vs digital, research-creation
Inês Azevedo
visual art, VISUAL CULTURE, museum studies, museum education, art education, Democracy and citizenship, social justice, ecologies, image archive