Researchers
Marcel Cobussen 
sound studies, continental philosophy, improvisation, music aesthetics, New Materialism
Einar Torfi Einarsson 
notation, experimental systems, post-structuralism, post-conceptual art, extended techniques, Extended Duration, experimental notation
Kate McCallum 
Art practice as research, linguistics, linguistic pragmatics, abstraction, mathematical thought, art and science, art and technology, artistic research, ethnography
Rikki Wolpowitz 
Baroque music in Vienna, JS Bach and Politics, The Death of the Orchestra, Leopold Hofmann, The Origins of Standardized Pitch
Livia Daza-Paris 
haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis
Tina Auer 
experiential futures, futures literacy, lighthouses, The Art of Powerful Questions, Immersive Environments, narratives
Nikolaus Eckhard 
capitalocene, futures, materiality, collaboration, socio-ecological transformation, soil
Fulya Uçanok 
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Aurora Del Rio 
contamination, Rituals, Embodied knowledge, Perception and Consciousness, artistic reasearch
Lars Kristian Røssell Takeuchi Kynde 
Microtonality, Perception and Consciousness, synaesthesia, instrument design, Post-digital., composition, Music Notation, sense perception
Michael Lukaszuk 
computer music, new media art, Algorithmic Composition, post-digital, Instrumentality
