Researchers
Jeannette Ginslov 
Screendance, Embodied Dance Practice, Dance-tech practice, Embodied technologies, Embodied Materiality
Alicia Champlin 
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Emma Harriet Austin Creed 
virtual reality, augmented reality, ethics, Language, curatorial practices
Martin Scheuregger 
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Illia Razumeiko 
music theater, Composed Theatre, performance; re-enactment; landspace; site; environment;, performance; landscape; video; sound; installation
Emma Margetson 
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Polly Hember 
modernism, twentieth century, visual culture, modernity, technology, cinema, modernist poetry, affect, pedagogy, queer theory, networks
Marie-Andini Widjaya Le Meur 
textile design, textile making, fashion design, creativity, illustration
Ali Williams 
creative practice research, embodiment, cognitive science, mind, ceramics, movement, sound, interconnectedness, relationality, attention, transdiciplinarity, collaboration, creative process