Sander Hölsgens
Phenomenology, Visual arts, architecture, Film-making, documentary film, activism
Franziska Schroeder
embodied performance, digital performance, accessible technologies, inclusion, artificial intelligence, artificial Neural Networks
Bruno Moreschi
decolonial studies, computer art, vision, computer vision, institutional critique, Artificial Intelligence (AI), technology, image, Visual Studies, Conceptual art, Contemporary art
Andrew Champlin
dance, visual art, participatory spectatorship, technique, music aesthetics
Xenia Mura Fink
gaze, female gaze, politics of representation, political art, figuration
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Anna Lorenzana
Image-based media;, computer interface history, archival art practice, Archival Research, power structures in the systematics of public administration, sculptural arts, archaeological imagnation, site-specific narratives, sculptural practice
David Bello Arcos
music in society, public space, public urban space, public sound installation, public art, Public sphere, Public History, nature culture, Social bond, interdisciplinarity, performance, non-human
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Riikka Maria Talvitie
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
Inês Azevedo
visual art, VISUAL CULTURE, museum studies, museum education, art education, Democracy and citizenship, social justice, ecologies, image archive