Cecilia Lagerström
performance with a focus on site-creating and site-critical activities, physical performance training connected to directing and dramaturgy, decolonial aspects on place and body, walking art, performative writing
Cheryl Akner Koler
haptic, aesthetic abstractions, creative collaboration, cross-disciplinary, intradisciplinary, applied aesthetics, sensitizing labs
Iram Ghufran
Documentary experimental, Artistic reserach, Media Arts, Technology and Culture, science fiction, archive
Arno Boehler
Philosophy as Arts-Based Research, continental philosophy, Indian Philosophy, Deleuze, Nietzsche, Spinoza, Immanence
Jamie Savan
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Niels Lyhne Løkkegaard
plasma, sedimentation, saturation, softening, decolonial, more-than-human, instrumentalization, folded time, occultism, potentiality, hypering, surrection
Niclas Hundahl
posthumanism, aesthetics, Body, music, technology, Music analysis, Music history
Emmi Kujanpää
Folk singing, art-based research, transnationalism, Gender and Music, politics, Balkans, Folklore Studies, ethnomusicology, Finno-Karelian folk singing, Bulgarian folk singing, intersectional feminism, artivism, feminist art, composing, pedagogical research
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Darnisha Daniel
Self-image, identity development, artistic research, youth, art, PHOTOGRAPHY
Lizzie Lloyd
art writing, documentation, Association, Resonances, embodied writing, socially engaged art, writing in practice
Antonia Aitken
walking as practice, decolonisation, performance drawing, practice based research, drawing research, critical place theory