Tomi Humalisto
light, aesthetics, Technology in Education, education, performance
Vahri McKenzie
Theories and practices of contemporary performing arts, Artistic research design and methodologies, Theories and practices of writing, Artistic responses to science and technology, Improvisation, collaboration and embodiment in creativity
David Gorton
composition, artistic research, contemporary music, Early music, collaboration, Performance analysis, co-creation, experimentation, Practice Research, subjectivity
Hélène MUTTER
War, Conflict Zones, research-creation, world, Social science, geopolitics, visual art, education, PHOTOGRAPHY, archive, memory
Jeannette Ginslov
Screendance, Embodied Dance Practice, Dance-tech practice, Embodied technologies, Embodied Materiality
Johannes Kretz
Transculturality, composition, electroacoustic music, electronic music, Live-electronics, ethnomusicology, philosophy, philosophy as art, biology, mathematics, Physics
Tom Milnes
error, media archaeology, 3D scanning, artistic research, online cultures, post-digital, post-internet
Xenia Mura Fink
gaze, female gaze, politics of representation, political art, figuration
Tim Sayer
Music Performance, improvisation, music cognition, live electronics, Music Psychology
Jordan Sand
double bass, improvisation, composition, process-based, penguin, Music philosophy, nomadism, breathing, voice, organ, hymn, violin, Collaborative Space
Aurora Del Rio
contamination, Rituals, Embodied knowledge, Perception and Consciousness, artistic reasearch
derek pigrum
visual art, Semiotics, philosophy, education, phenomenology, practice, process, Practice-as-research
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music