Researchers
Elisabeth Schäfer 
deconstruction, Philosophy of the Body, Écriture féminine, Cixous, Derrida, Kristeva, Irigaray, Nancy, queer theory, Feminist Art, Feminist Philosophy, psychoanalysis, Butler, Freud, Laplanche, Theories of Embodiment, Theories of Subjectivation
K Benedikte L Esperi 
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Marie-Andrée Robitaille 
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Madelief van de Beek 
scenography, Dramaturgy, Performance art, death culture, flowers, botanical material, feminism, Video art
Joonas Lahtinen 
performance, live art, installation, participation, artist pedagogy, HEI pedagogy, public space, spatial politics, spatial analysis, epistemology, perception, politics of the body, performativity, continental philosophy, politics of architecture, mundane, text, forms and formats of research dialogue, institution, academia
Rut Karin Zettergren 
collective research in arts, technofeminism, cyberfeminism, future, speculative fiction, military heritage of technology, repurposing technology, reimagining
Tomáš Moravec 
urban space, intervention, transformation, residuals, heterotopia, empty space, public space, mataphore, terrain vague
Joanna Staruch-Smolec 
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Carl-Mikael Björk 
performativity, queerness, narratives, posthumanism, post-qualitative inquiry, PHOTOGRAPHY, Early childhood education
