Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Charles Baumstark
composition, composition process, composition tools, composition technique
Ryan Mason
choreography and performance, Choreographic Research, choreographic thinking
Abla Mohamed Abd El Naby
Practice-as-research, sound, soundscape, Soundart, practice based research, performance, Performance art, Installation Art, media, media theory, Film studies
Anna Rogneby
PHOTOGRAPHY, VIDEO, media, Sociology, Hyperreality, everyday aesthetics, everyday, stream-of-consciousness, philosophy
Michael Walde
commodity, commodity fetishism, hospitality, work, emotional labour, feminism, Marx, Situationism, advertisement, spectacle, consumption