Michael Kahr
jazz, Music history, music theory, popular music, artistic research
Esa Kirkkopelto
performance philosophy, performer training, post-structuralism, posthumanism, Contemporary performance, artistic research, methodology
Claudia Auer
architecture, art, dance;, research, art practice, architectural research
Anne Juren
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Linda H. Lien
visual communication, community, place, identity, belonging
Milla Kristina Tiainen
voice studies, contemporary musical performance, new materialism, environmental theory, affect, contemporary vocal art, cultural studies of music, sound studies, feminism
Dumond Camille
artistic research, art, artschools, switzerland research community
Emma WIlliams
historically informed performance, 19th century, violin, voice
Jackel Chow
FILM, narration, Directing, Storytelling, improvisation, virtual camera, visualisation, 3D animation, digital art
Caterina Daniela Mora
performing arts, education, decolonial, feminism, dance;, migration, teaching artist, training, dancing, Dance education, transmission, Translation., embodiment
Uddipana Das
narrative, Storytelling, choreography and performance, dance improvisation, artistic research
Ana Pireva
paper, papermaking, Printmaking, Workshop, drawing research, Lithography, ink, Painting
Antonia Aitken
walking as practice, decolonisation, performance drawing, practice based research, drawing research, critical place theory