Researchers
Hanna Järvinen 
dance;, dance history, performance, re-enactment, reconstruction, re-imaginations, epistemology, Authorship, Foucault, power structures, canonicity, stardom
Hanns Holger Rutz 
sound art, Installation Art, computer art, collaborative processes, digital art, Intermedia
Adrian Artacho 
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Emma Harriet Austin Creed 
virtual reality, augmented reality, ethics, Language, curatorial practices
Laisvie Andrea Ochoa Gaevska 
dance, Choreography, multimedia, inclusive dance, feminist art, somatics, improvisation, video performance, video dance, Disability Studies
Rachel Kaminski Sanders 
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Zubin Kanga 
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Simon Jon Andreasen 
film, games, television, storytelling, virtual production, animation, storyworlds, worldbuilding, theater, narative, devising, comics
Tuomas Rounakari 
Artistic research, Myths, mythologies, Altered states of consiousness, more-than-human, indigenous knowledge, Arctic art, community engagement, trance, transcendence, transdiciplinarity, mythical dialogue, bear feast ceremony, bear myths
Bruno Tagliasacchi Masia 
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
Aðalheiður Sigursveinsdóttir 
experimental systems, embodiment, Vibration, socially engaged art, feedback loops, feminism, oneness, performance, theatre, Dramaturgy, improvisation, existential philosophy, phenomenlogy, spiritual art, writing, staged absence, symbolism, typography, artheorypractice, artistic processes, Monodrama, the fragmentary, pattern, generative neural networks, Perfomance art, poetry
