Researchers
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Eugene A. Kim 
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Michael Duch 
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
Anne Juren 
Feldenkrais Method®, anatomy, fantasmical, speculative gestures, somatic practices, dislocation, operation, dissection, treatment, fragmentation, devisualisation, non-expression, language, poetry, voice, touch, psychoanalysis, crisis, encounter, critical awareness, sensorial transference, co-regulation, body proxy, trans-interiority, symptom, practitioner, patient, session, lesson, L’Effet-Mère, mother tongue, very too close, very too far, atlas, Choreography, Somatic practices, dérive, drift, diffraction, dance
Mathieu Lacroix 
composition, multichannel, electroacoustic music, max msp, classical music, music production, metal music
Doris Ingrisch 
gender and cultural studies, dialogue between art & science, history of science, arts based and experimental research methods
Ella Raidel 
Experimental Cinema, Contemporary Aesthetics, Contemporary Art, Interdisciplinary Research Urban Studies, East and Southeast Asian Cinema, Sinophone Cinema, Nonfiction Cinema, Documentary Film
Maria Peres 
ethnomusicology, music, feminism, art, ethics, humanitarian response, heritage, education, community, interculturality
Vadim Keylin 
sound studies, sound art, partipation, digital culture, poetry, participatory art, participatory culture, creativity
Tomáš Moravec 
urban space, intervention, transformation, residuals, heterotopia, empty space, public space, mataphore, terrain vague
Carl-Mikael Björk 
performativity, queerness, narratives, posthumanism, post-qualitative inquiry, PHOTOGRAPHY, Early childhood education
