Jamie Savan
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Dawn Woolley
consumer culture, feminism, self-portraiture, still life, marxism
Bob Wijnen
jazz, piano, piano practice, organ, Hammond organ
Thomas Pearce
performance, reconstruction, digital fabrication, 3D scanning, 3d digital modeling, historiography, Design research, architectural research, Architectural technology, design, speculative design, architecture
Olav Friisberg Larssen
Sound Design, music, PHOTOGRAPHY, FILM, Film-making, film score, film sound, design, wordpress, html, css, archiving, family archives, innovation, startup, food wasting, food apps
Henrik Stensli
engineering, technology, design, CAD, 3D models, modeling and simulation
Jahrmann Margarete
game studies, artwork, artistic epistemology, digital art, neuroscience, activism
Kateřina Maňáková
renaissance music, Renaissance Polyphony, Lute, intabulation, vihuela, voice
Karen Werner
radio art, transmission, installation, performance, socially engaged art, relationality, interference, artistic research, speaking nearby, distance, communication, dialogical aesthetic, activist art, diaspora, Mini FM, community radio, lecture-performance, conversation as co-creation, feminist, indigenist, subjectivity, community economies, weak theory
Pinzón Lizarazo Oscar Daniel
Paper engeneering, Fanzine, Comic, ecology, circular economy, artistic research, art education, artist book, non-conventional supports, editing, migration, movement, Transposition, Free culture, Storytelling, Transduction, Translation, Transdiciplinary Colaboration, Transmediality, Graphic storytelling
Timo Tähkänen
queer theory, art pedagogy, Care ethics, Aesthetics and Ethics, performance for camera, drawing, Installation Art, Drag, autobiography, Feminist Theory, visual art, Gender studies, listening, alter ego, love, camp, grotesque, queer, queer art, performance
Abla Mohamed Abd El Naby
Practice-as-research, sound, soundscape, Soundart, practice based research, performance, Performance art, Installation Art, media, media theory, Film studies
Lenka Stepankova
artistic identity, depresentation, infrastructures of solidarity, post-studio, portraits, relational filmmaking, studio space