Researchers
Fulya Uçanok 
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Gareth Osborne 
practice-based research, immersive arts, immersive learning, education, immersive theatre, Digital Storytelling, Embodied knowledge, artificial intelligence, participatory design, collaborative creativity, cultural spaces, children's participation, children's literature, artistic research, creative writing
Emma Margetson 
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Benjamin Fox-Rosen 
ethnomusicology, Musical Cultures, jewish studies, Yiddish, Shoah, memorials, Minority language, folk music, nationalism
Nicola Visser 
Contemplative Dance Practice, Authentic Movement, Witnessing, Dance and Movement Improvisation, Thinking at the Edge, minor gesture, decolonial delinking, transformational infrastructure, community dance practice, eye practices
Michael Walde 
commodity, commodity fetishism, hospitality, work, emotional labour, feminism, Marx, Situationism, advertisement, spectacle, consumption
