Klaus Hu
1: strata / geology / genealogy of history 2: the digital / the sensual / appropriation 3: landscape / the Anthropocene / conflicts on resources 4: escapism / sci-fi and narrative territories
Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Anders-Petter Andersson
music, interactive art, interactive sound and music, multi-sensory environments, Tangible Interaction, sensorial interaction, Media Arts, relational aesthetics, Health
Linde Ex
Artistic research, visual art, autoethnography, ecology, more than human worlds, multidisciplinary
Mafalda Deville
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Liesel Dom
performance; landscape; video; sound; installation, Information and communication, Socio-political activism, Internet, digital art, propaganda, philosophy as art, Documentary experimental, Myths, Belief
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
E Stifjell
music, composition, loudspeaker technology
Sharin Foo
immersive performance, Spatial Audio, spatialization, music
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism