Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Francisco Beltrame Trento
neurodiversity, queer theory, Film-making, post-qualitative inquiry, neuroqueerness, artistic research, anarchive, research-creation, kinship
Nora Rinne
performance art, live art, artistic research, children, childhood, verbatim, imitation
Maria Peres
ethnomusicology, music, feminism, art, ethics, humanitarian response, heritage, education, community, interculturality
Katy Beinart
socially engaged art, practice-based research, artistic research, art education, art theory, art, artistic processes, Spatial Practice, place, memory, heritage, materiality, poetics
Tony Rabesca
indigenous knowledge, Indigenous media, oral history, cultural memory, traditional knowledge, FILM
Olof Misgeld
music, folk music, dance, improvisation, traditional music, tradition, music theory, Music analysis
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin