Anna Walker
artistic research, art practice, transdiciplinarity, trauma, memory, culture, affect
Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Liz Rech
movement, social movements, aktivism, affect, choreography and performance
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Helene Waage
Music and health, Music and relations, Music and dementia, Music Performance, Folk music, Posthumanism, Posthuman methodology
Michael Lukaszuk
computer music, new media art, Algorithmic Composition, post-digital, Instrumentality