Zoe Panagiota (aka Betty) Nigianni
art, artistic research, politics, Art history, activism, Cultural production, institutional critique, Investigative art, philosophy, post-conceptual art, feminism, cultural sociology, cultural psychoanalysis, Entrepreneurship
William Platz
drawing, drawing research, performance, life drawing, artist's model, portraiture
Dora Isleifsdottir
Metadesign, Metamodernism, Design research, Design, Semiotics of type, typography, Branding, visual communication, visual language, asemic writing, design thinking, editorial design, book-making, visual identity, visual intelligence, publishing
Jacob Anderskov
artistic research, artistic processes, music, improvisation, composition, performance, philosophy, aesthetics, methodology, phenomenology, Hermeneutics, post-structuralism, Noise, post-tonality, ensemble, interplay, embodied cognition, participation, litterature, genre theory, metaphor, arts education, science studies, Cultural Studies, sound
Anders-Petter Andersson
music, interactive art, interactive sound and music, multi-sensory environments, Tangible Interaction, sensorial interaction, Media Arts, relational aesthetics, Health
Catherine McKinnon
narrative, Climate Change, collaboration, fragmented narratives, future, feminism, creative practice, creative ecologies, creative writing, creative process, violence, unreliable narratives, braided narratives
Mia Seppälä
public space, public art, accessibility; web images; alt text, performance; re-enacment; site; environment, constructions of public-ness, transcorporeal
Sara Gomez
Political Studies, visual art, choreography and performance, philosophy
Andy Hoff
Climate Activism, arts-based research, posthumanism, Media Arts, speculative fiction, transmedia, Visual Culture, graphic novel, Practice-as-research
Könemann Flora
sound, Listening space and electroacoustic diffusion, craft, somatic research, dance;, composition, free jazz, frequency, painting process, movement, trance, Colour, transition
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music