Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Mark Tatlow
early music performance, early opera, embodied research, the musical event
Rozita Fogelman
digital art, architecture, Archetypes, ASCII, Unicode, computer art, code art, text art, textile, patterns, graphic art
Stacey Sacks
presence, embodiment, representation, animation, theatre, Sculpture, drawing, intimacy, audiences, fragmented narratives, activism, whiteness, masking, clown, performance, performer
Charlotte Østergaard
costumes, artistic research, materiality, performativity, cotume, theater, performance, Design Thinking, co-creation, collaboration, Site-specific, listening, listening with costume, hosting, Textile art, material thinking
Kersti Grunditz Brennan
filmmaking, film editing, dancefilm, moving images, cinematic storytelling, Film studies, physical cinema, character development, collaborative practice
John Cussans
science fiction, anthropology, artistic reasearch, art theory, critical theory, social psychology, Haiti, Vodou, decolonialism, horror, alterity, psychoanalysis, British Columbia, Northwest Coast First Nations, surrealism, diagrams, Ghetto Biennale, colonialism
E.Reynolds
alternative art schools, alternative pedagogies, de-centring spaces, conceptualising frameworks for artistic research, sites of participation, performative research tools, deep mapping.
Majid Sarnayzadeh
Performance studies, cognitive science, cultural anthropology, Theater studies, social change, Social Studies
Sally Emke
fear, craft, cuteness, humor, comics, judaism