Mike Croft
perception, drawing, artwriting, Painting, autofiction, drawing research, language-based practice
Mark Tatlow
early music performance, early opera, embodied research, the musical event
Bella Merlin
acting, Shakespeare, Directing, verbatim, song-writing
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Helen Scarlett O'Neill
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Benjamin Jenner
generative constraint, practice-based research, navigation, sensory awarness, languaging, embodied blindfoldedness, visual deprioritisation
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Garrett Lynch IRL
networked art, networked performance, post-disciplinary practice, digital arts
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music