Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
JULIE MARSH
Site-specific, space, moving image, site, site-integrity, representation, performance
Fu Tian
rap music, new music, contemporary music
Hans Lennart Jonsäll
electroacoustic music, electronic music, live electronics, composition, Experimental music, sound art, synthesizers, Experimental musical instruments, modular synthesizers, spirituality, Religious Studies, free improvisation, improvisation
Timo Tähkänen
queer theory, art pedagogy, Care ethics, Aesthetics and Ethics, performance for camera, drawing, Installation Art, Drag, autobiography, Feminist Theory, visual art, Gender studies, listening, alter ego, love, camp, grotesque, queer, queer art, performance
Tereza Reichová
roleplay, safe environment, psychosomatics, embodied learning, gestalt, pedagogical research, embodiment, constellations, documentary film, comic
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Puck Verras
play, playfulness, role-play, LARPing, larp, games, theatre, performance, scenography, costume design, set design, game design, Anthropocene, non-human, post-human, Climate, ecology, speculative fiction, speculative design