Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Julieanna Preston
live art, spatial design, performance writing, new materialism, sound art, aurality
Hedvig Jalhed
opera, music drama, dramaturgy, interaction, immersion, voice, vocality, singing
Marion Reuter
acting, presentation, representation, Perception and Consciousness, courage, vulnerability, improvisation
Beate Körner
psychosocial, normativity, Performance art, performative research, performance, transgression, artistic research, activism, collaborative processes, arts education, affect theory, care
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater
Juan Carrillo Rios
artwork, education, Indigenous Studies, Indigenous Languages, indigenous knowledge, Artes Visuais, medio ambiente, VIDEO, pintura
Olya Zikrata
wartime sound, Ukraine, activist cultures, sound and violence, ecologies of relation, resistance politics, belliphonic atmospheres, sonic relationality, materiality, new materialism, posthumanism
Célia Ferreira
educação através da arte, arte têxtil, artesanato, artivismo e património, educational action research, weaving, Craft, art education, artivism, heritage