Kit Hammonds
exhibition, curating, Curatorial Studies, science fiction, publishing
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Tina Auer
experiential futures, futures literacy, lighthouses, The Art of Powerful Questions, Immersive Environments, narratives
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Marlies Surtmann
performance, archive, künstlerisch-performative Erschließung, public space, participatory arts, performance archive, artistic performative transmission strategies
Jahrmann Margarete
game studies, artwork, artistic epistemology, digital art, neuroscience, activism
MARIA DARMOY
performance design, scenography expanded, Choreography, stage design, video installation; performance; landscape; environment;
Helene Waage
Music and health, Music and relations, Music and dementia, Music Performance, Folk music, Posthumanism, Posthuman methodology
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Katelyn Rose King
co-creation, experimental systems, new music performance, new music theater, percussion performance, electroacoustic music, collaborative processes
Samar Zureik
Type Design, typography, graphic design, calligraphy, arabic