Bruno Moreschi
decolonial studies, computer art, vision, computer vision, institutional critique, Artificial Intelligence (AI), technology, image, Visual Studies, Conceptual art, Contemporary art
Emma WIlliams
historically informed performance, 19th century, violin, voice
Vidmina Stasiulyte
experimental aesthetics, sound embodiment, fashion alternatives, boundary artefacts, inclusion
Nathan Riki Thomson
artistic research, artistic identity, interculturality, intercultural dialogue, transcultural, transdisciplinary collaboration, resonance
Tilman Skowroneck
Performance practice, organology, long 18th century, Beethoven, artistic research
Helga Schmid
Time, Chronobiology, Sociology, Psychology, performance, design=art=research
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Fernanda Branco
performance; re-enactment; landspace; site; environment;, antropocene, posthumanism, soundscape, micro-phenomenology;, New Materialism
Kateřina Maňáková
renaissance music, Renaissance Polyphony, Lute, intabulation, vihuela, voice