Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Franziska Schroeder
embodied performance, digital performance, accessible technologies, inclusion, artificial intelligence, artificial Neural Networks
Marko Ciciliani
audiovisual composition, transmedia composition, intermedia, Storytelling
Thomas Ballhausen
text, Literature, Film studies, textualism, science fiction, philosophy
Michel Roth
music, games, indeterminacy, collaborative processes, interactive performance, artistic research, organology, music theory, sonification, transdiciplinarity, field recording, acoustic ecology, Actor network theory, soundscape studies, composition
Bruno Moreschi
decolonial studies, computer art, vision, computer vision, institutional critique, Artificial Intelligence (AI), technology, image, Visual Studies, Conceptual art, Contemporary art
Freï von Fräähsen zu Lorenzburg
Performance, Performance art, Performance art theory and practice, Conceptual art, Monarchy, Ceremony, ritual, rituality, performativity, performative research, transmedia, anthropology, Queer, queer theory, Micronations, Micronationalism, Magick, Magic, Theology
Sergio Montero Bravo
artistic research, art, design, architecture, ecologies, rural encounters, education
Francisca Skoogh
performance, western classical music, artistic research, psychology
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Ville Perttu Kurki
Dramaturgy, theater, theatre, performance, documentary, dance, live art, FILM
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality