Benedict Olk
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Uwe Steinmetz
Jazz, postsecularity, religion and music, Lyricon, electroacoustic music
Carlos Roos
metaphysics, global music, phenomenology, film, performance, critical theory
Jennifer Anyan
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Saskia de Wildt
arts-based research, ethnography, visual ethnography, environmental humanities, Politics of knowledge, critical discourse analysis, Global development studies, sustainability
Maud Haering
Caldara, singing, salterio, scialmo, chalumeau, cymbalum, Psalterium, Vienna, Oratorio
Linde Ex
Artistic research, visual art, autoethnography, ecology, more than human worlds, multidisciplinary
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
teresa luzio
performance; walking; visuality; performance documentation
FRANCO RIPA DI MEANA
performance, Technology Innovation, multimedia, transdiciplinarity, Science and Art collaborations, performativity, community, userinvolvment, User Experience
Maia Navas
videoart, experimental film, Contemporary art
Riikka Maria Talvitie
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
Haoqing Yu
New media, Visual Studies, Cultural Studies, drawing, Painting, AI ART, digital art, Archival Research