Klaus Hu
1: strata / geology / genealogy of history 2: the digital / the sensual / appropriation 3: landscape / the Anthropocene / conflicts on resources 4: escapism / sci-fi and narrative territories
Till Ansgar Baumhauer
War trauma, depiction of violence, art, interdisciplinarity, interculturalit, visual culture, Afghanistan, conflict transformation art
Josué Moreno Prieto
urban sonic space, generative art, Algorithmic Composition, urban space, Urban Acoustics, Intermedia, SITE-SPECIFIC ART
Carl Svensson
sound, music, History, narrativity, fenomenologia, pedagogy, epistemology
Jean Beers
Music, phenomenology, music, composition, piano, performance, sound art, phenomenlogy, deconstruction, interpretation, analysis
Jorge Boehringer
Spatial Audio, temporality, listening, phenomenlogy, Sculpture, notation, prehistory, music, composition, sonification, performance, electroacoustic music, interactive art, Data Sonification, philosophy, improvisation, Chance, contingency, indeterminacy
Iselin Dagsdotter Sæterdal
post-human, post-colonial, posthumanism, digital musical instruments, artography, Agential realism, agential cut, intra-action, intra-action New Materialism, New Materialism, experimentation, child as a musician, children, loop station, Live-electronics, live looping, rhizome, Assemblage, Musicking, arts-based research
MARIA DARMOY
performance design, scenography expanded, Choreography, stage design, video installation; performance; landscape; environment;
Franziska Trapp
performance, circus arts, New Materialism, Semiotics, Dramaturgy
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio