Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Electa Behrens
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Christina Stadlbauer
interspecies, urban, honeybees, biodiversity, transformation, ritual, kin tsugi, bacteria, Bio Kin Tsugi, mollusk, post qualitative research
Jean Penny
flute and electronics, electroacoustic music, performance, composition, musicology, artistic research
Nora Rinne
performance art, live art, artistic research, children, childhood, verbatim, imitation
Sebastian Ruiz Bartilson
insurrectionary movements, Pornography, homoart, hiv, Not-knowing, swedish indocrination, ritualisation, psicomagic, human potential, meditation, somatics, somatic approaches, choreography and performance, choreographic thinking, antiethics, techno, cuerpos disruptivos, disidencias sexuales
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Tuomas Rounakari
Artistic research, Myths, mythologies, Altered states of consiousness, more-than-human, indigenous knowledge, Arctic art, community engagement, trance, transcendence, transdiciplinarity, mythical dialogue, bear feast ceremony, bear myths