Jed Wentz
Historically imagined performance practice, acting, gesture, declamation
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Dominik Schlienger
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Dominika Łabądź
ecology of creativity, creative ecosystem, self-organization, Collective Unconscious, collectivism, artistic research, artistic method, artistic process, performative exchange, collaboration, equity, care, open source, solidarity language, post-conceptual art, visual art, activism
Stijn Brinkman
space and body, violin, curatorship, mirror, participatory arts, performance, performance; re-enactment; landspace; site; environment;
Lizzie Lloyd
art writing, documentation, Association, Resonances, embodied writing, socially engaged art, writing in practice
David Bello Arcos
music in society, public space, public urban space, public sound installation, public art, Public sphere, Public History, nature culture, Social bond, interdisciplinarity, performance, non-human
Izzy Monteiro Bühlmeier
fashion design, creativity, Social science, political impact, Political Studies, socio-environmental research, Cultural Institutions, culture, textile making, texture, Language
Dianne Reid
screendance, dance improvisation, site specific performance, contemporary dance, interactive performance