Kit Hammonds
exhibition, curating, Curatorial Studies, science fiction, publishing
Cecilia Lagerström
performance with a focus on site-creating and site-critical activities, physical performance training connected to directing and dramaturgy, decolonial aspects on place and body, walking art, performative writing
Ilya Ziblat Shay
improvisation, free improvisation, composition, live electronics
Ji Youn Kang
sound art, electroacoustic music, electronic music, experiential composition
Eli Bø
Space, place, architecture and objects as narrative tools
Yann Coppier
Sound art, Absurd sounds, Poetry, Politics, Meaning, Dramaturgy, Poetics
Carlos Roos
metaphysics, global music, phenomenology, film, performance, critical theory
Vidmina Stasiulyte
experimental aesthetics, sound embodiment, fashion alternatives, boundary artefacts, inclusion
Jennifer Anyan
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Vanessa Ramos-Velasquez
Indigenous Studies, Cultural Studies, cultural heritage, cultural history and theory, environmental artistic research, environmental sciences, Media Arts, Anthropocene, artivism
Liz Rech
movement, social movements, aktivism, affect, choreography and performance
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Izzy Monteiro Bühlmeier
fashion design, creativity, Social science, political impact, Political Studies, socio-environmental research, Cultural Institutions, culture, textile making, texture, Language