Trond Lossius
sound art, installation, audio-visual, field recording, ambisonics, place, real-time, spatial audio, artistic research
Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Barbara Macek
poetics, biophilosophy, transdiciplinarity, psychopoetology, interspecies relationships, poetry, medical history, medical humanities, autoimmunity, pain, existential philosophy
Nareeporn Vachananda
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
Livia Daza-Paris
haptic spatiality, Cold War-era, Attunement, forensis, Decolonizing methodologies, Skinner Releasing, The Political Disappeared, Poetic Testimony, more-than-human, Indigenous ways of knowing, Skinner Releasing Technique SRT, Poesis
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology