Tero Nauha
non-philosophy, post-humanism, afrofuturism, schizoanalysis, New Materialism, heresy, visual cultures, capitalism
Arno Boehler
Philosophy as Arts-Based Research, continental philosophy, Indian Philosophy, Deleuze, Nietzsche, Spinoza, Immanence
Josué Moreno Prieto
urban sonic space, generative art, Algorithmic Composition, urban space, Urban Acoustics, Intermedia, SITE-SPECIFIC ART
Jamie Savan
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Zheng Kuo
Social science, philosophy, psychology, dance
Jacek Smolicki
field recording, soundwalking, para-archiving, soundscape, mapping, experimental cartography, personal archiving, acoustic ecology, psychogeography
Margarida Dias
arts education, identity, decolonial, antidiscriminatory, feminism
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Jasmin Schaitl
performance, visual art, participatory arts, memory, haptics, installation
Karl Salzmann
Soundart, Grammophonmusik, turntables, Soundsculpture, materiality, recording technique, Graphical scores
Michal Lovecky
digital worlds, metaverse, XR, virtual reality, transdiciplinarity, co-design, co-creation, ocean, immersive technologies, Immersion, marine science, collective action research, impact
Roman Štětina
ekphrasis, description, teaching artist, intermediality, sound, radio, moving image, media history