Claudia Auer
architecture, art, dance;, research, art practice, architectural research
Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Jed Wentz
Historically imagined performance practice, acting, gesture, declamation
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Laisvie Andrea Ochoa Gaevska
dance, Choreography, multimedia, inclusive dance, feminist art, somatics, improvisation, video performance, video dance, Disability Studies
Thomas Pearce
performance, reconstruction, digital fabrication, 3D scanning, 3d digital modeling, historiography, Design research, architectural research, Architectural technology, design, speculative design, architecture
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Katy Beinart
socially engaged art, practice-based research, artistic research, art education, art theory, art, artistic processes, Spatial Practice, place, memory, heritage, materiality, poetics
Pilar Miralles
listening, remembrance, presence, autoethnography, sensorial research, disposability