Luc Döbereiner
music, aesthetics, technology, sound art, materiality, composition
Håkon Mørch Stene
Experimental music, interpretation, multidisciplinary, artistic research, pedagogy
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Jean Beers
Music, phenomenology, music, composition, piano, performance, sound art, phenomenlogy, deconstruction, interpretation, analysis
Kobe Van Cauwenberghe
experimental music, improvised music, composition, relational musicology, applied research, music performance, music theory, music education, decoloniality, modernity
Riikka Maria Talvitie
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity