Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Hanna Järvinen
dance;, dance history, performance, re-enactment, reconstruction, re-imaginations, epistemology, Authorship, Foucault, power structures, canonicity, stardom
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Electa Behrens
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Jamie Savan
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Michael Lazar
Broad - from science to art and the boundary between them
Jana Potiron
Furniture and Interior, Site-specific installation, Psychology of design, Design research
Matthew Kaner
composition as research, adaptation, narrative, Practice Research
Katelyn Rose King
co-creation, experimental systems, new music performance, new music theater, percussion performance, electroacoustic music, collaborative processes
Stuart Slater
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme