Researchers
Torben Snekkestad 
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Hanns Holger Rutz 
sound art, Installation Art, computer art, collaborative processes, digital art, Intermedia
Barbara Lueneburg 
Instrumental Performance Studies, Participatory Art, Authorship, Collaboration, Methodology, Embodiment, Artistic Research
Helen Scarlett O'Neill 
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Ella Raidel 
Experimental Cinema, Contemporary Aesthetics, Contemporary Art, Interdisciplinary Research Urban Studies, East and Southeast Asian Cinema, Sinophone Cinema, Nonfiction Cinema, Documentary Film
Linde Tillmanns 
conceptual art, multidisciplinarity, modern jazz, multi-instrumentalism, musical languages, linguistics in relation to music
Katerina Undo 
Coexistence, transience and transition, artificial intelligence, artificial speech, mediation, machine, embodiment
Anke Zijlstra 
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship
Petra van Aken 
Performance in public space, Workshop, Embodied knowledge, Body based art, Body of the Performer, inter acctment, spatial perception and cognition
Lotte Dohmen 
concepts of work and labour, regenerative knowledge systems, collective research in arts, Sustainable performance
Zornitsa Stoyanova 
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy
sergio marchesini 
art based research, audio-visual, AI, speculative fiction, Musical Cultures, ethnomusicology, electroacoustic music
Bruno Tagliasacchi Masia 
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
