Researchers

Fiona MacDonald
art, artistic research, posthumanism, intra-action, animals, plants, ecology
Carlos Roos
metaphysics, global music, phenomenology, film, performance, critical theory
Christoph Solstreif-Pirker
Anthropocene, trauma, political ecology, performative research, non-philosophy, ecofeminism, copoiesis, psychoanalysis, continental philosophy, architecture, space, environmental ethics, artistic research, Feminist Theory, art theory, psychotherapy, pessimism
Tom Blancarte
double bass, improvisation, Actor network theory, translation, Language, AI, second-order systems, game studies, game-pieces, role-play, RPGs, metroidvania, platformers
James Wood
Literature, music, aesthetics, postcolonialism, Decolonizing methodologies, phenomenlogy
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Anthony JOHN THWAITES
Historically Informed Performance Practice, Brahms, British Chamber Music
Cecilie Michelle Le Divenah
production process, school
Sidsel Ditlev Christensen
visual art, perfomative lectures, new media art, Installation Art
Sílvia Simões
artwork, art practice, drawing
alejandra reyero
Photografy, visual art, visual culture, Indigenous People, Latin American art, decoloniality, writing;
Könemann Flora
sound, Listening space and electroacoustic diffusion, craft, somatic research, dance;, composition, free jazz, frequency, painting process, movement, trance, Colour, transition
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Leo Hosp
ecology, poetry, video, environment, transformation, sustainability, queering, visual art, technology, neurodiversity
Åsmund Soldal
traditional music, drumming
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality
Michele Rinaldi
new media art, artificial intelligence
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Eleonora Gasparini
unlearning, performative practice, participatory arts