Anders-Petter Andersson
music, interactive art, interactive sound and music, multi-sensory environments, Tangible Interaction, sensorial interaction, Media Arts, relational aesthetics, Health
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
Merja Ryöppy
Participatory theatre, Object theatre, improvisation, human-object relating, design process, participatory design
Xenia Mura Fink
gaze, female gaze, politics of representation, figuration, drapery, queer feminism
Helen Roberts
historically informed performance, musicology, Music pedagogy, digital and personal technologies
Samuel Penderbayne
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Monica Lim
Interactive Composition, Interactive Art, Experimental Music, New instruments for Music Exploration, Computer Music, AI in Music
Song Xiaran
Data Sonification, Data visualization, techno-spirituality, Media Arts, autoethnography, slow technology, Meditation
Petra Widžová
curatorial research, Artist's estates, interdisciplinary research, Artist's studios