Researchers
Trond Lossius 
sound art, installation, audio-visual, field recording, ambisonics, place, real-time, spatial audio, artistic research
Marie Fahlin 
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Jonathan Reus 
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Manoela dos Anjos Afonso Rodrigues 
Visual Arts, Autobiography, Decoloniality, arts-based research, practice-based research, practice as research, artistic method, methodology, socially engaged art, Transpedagogy, interdisciplinarity, transdiciplinarity, multidisciplinary, postdisciplinarity, Narrative Research, Oral History, family archives, Life writing, Life stories, Diary, Correspondence, Archive, Memoir
Christoph Solstreif-Pirker 
Anthropocene, trauma, political ecology, performative research, non-philosophy, ecofeminism, copoiesis, psychoanalysis, continental philosophy, architecture, space, environmental ethics, artistic research, Feminist Theory, art theory, psychotherapy, pessimism
Arja Anneli Kastinen 
19th century Karelian kantele improvisation, creativity process, Music Education, acoustics, spectrum analysis
Maarika Autio 
music, global music, artistic research, balafon, cultural appropriation, artistic identity, african tradition, affordances, kora, africa
Stuart Slater 
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme