Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Priska Falin
Ceramic practice, aesthetic experience, embodied cognition, method and theory, material experience, sense perception, metaphor, Subtle body, meditative process
Karin DE FLEYT
music, temporality, time and space, Stockhausen, contemporary music
Emma WIlliams
historically informed performance, 19th century, violin, voice
Benedict Olk
dance, choreography and performance, agency, Authorship, postmodernism, formalism, re-enactment, reconstruction, technique, Practice-as-research, practice-based research, practice as research, practice based research, practice, Merce Cunningham, archive, dance technique
Richard Alsadi
Qanun performance, Middle East, Ancient instruments, extended techniques, Qanun, soundscape composition
Greg Bruce
artistic research, electroacoustic music, improvisation, classical performance practice, saxophone, Augmented Instruments, analogue electronics, analogue vs digital, research-creation
Karl Salzmann
Soundart, Grammophonmusik, turntables, Soundsculpture, materiality, recording technique, Graphical scores
Juan Carrillo Rios
artwork, education, Indigenous Studies, Indigenous Languages, indigenous knowledge, Artes Visuais, medio ambiente, VIDEO, pintura
Francesca Guccione
music, musicology, Jóhann Jóhannsson, film music, Music editing, music production, violin, Music philosophy
Petra Widžová
curatorial research, Artist's estates, interdisciplinary research, Artist's studios