Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Anders Eggen
publishing, research communication, open science
Carl Svensson
sound, music, History, narrativity, fenomenologia, pedagogy, epistemology
Darja Popolitova
new media art, post-internet, digital art, digital craft, Media Arts, tactility, tactile visuality, screen, Video art, jewellery, jewellery art
Joanna Magierecka
participatory strategies in art, theater installation, Performance art, Contemporary art
Jacek Smolicki
field recording, soundwalking, para-archiving, soundscape, mapping, experimental cartography, personal archiving, acoustic ecology, psychogeography
Sara Hulkkonen
Craft, glass, practice-led research, New Materialism, sociomateriality
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation
Martin Høybye
Songwriting, Arts-based Research, Ethnography, Embodiment, Phenomenology, Collaborative songwriting, Autoethnography, Methods development, Theories of artistic practice
Michael Lukaszuk
computer music, new media art, Algorithmic Composition, post-digital, Instrumentality