Karst de Jong
Music Theory, Improvisation, Harmony, Analysis, Composition, (collaborative) Creation
Sepideh Karami
architecture, dissident, Writing as artistic research, critical writing, minor architecture
Jonas Howden Sjøvaag
music, audio recording, DIGITAL IMAGING, digital art, drums, jazz, improvisation, artificial intelligence, songwriting, Lyrics
Matilde Meireles
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
Mathieu Lacroix
composition, multichannel, electroacoustic music, max msp, classical music, music production, metal music
Monica Clare van der Haagen-Wulff
Postcolonial Studies, Critical Race Theory, Gender and Queer Studies, Migration, Intersectionality, Postcolonial/Decolonial Feminist Theories and Methodologies, Globalisation, Global Cities, Affect Theories, Performance Studies, Theories of Embodiement, Fictocritical Writing, Critical Heritage und Historical Memory Studies.
Thomas Pearce
performance, reconstruction, digital fabrication, 3D scanning, 3d digital modeling, historiography, Design research, architectural research, Architectural technology, design, speculative design, architecture
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Jung-Jae Kim
contemporary music, free improvisation, cross-genre, collaboration
Jelena Škulis
materiality, community, feminism, craftivism, textile, textuality, processualism, slowness
Pedro Amado
type design, typography, interaction design, creativity, creative coding, creative computing, web design, design, graphic design, editorial design, interface design, Human-Computer Interaction
Lotte Dohmen
concepts of work and labour, regenerative knowledge systems, collective research in arts, Sustainable performance
Alžběta Trojanová
performative walk, Non-Place, environmental art, land art, Site-specific;, non-site, singing
Hayley Whelan
Walking Art; Social Art Practice; Perfromance & Artistic Intervention, walking practice, walking art, Writing as artistic research, practice-led research, PHOTOGRAPHY, darkroom photography, Film-making, collage, walking, cities, Scotland, research