Lucia D'Errico
music, post-structuralism, electronic music, video performance, graphic design, Deleuze, Derrida, performance, materiality, lacan, epistemology, sound, Speculative Realism, New Materialism, non-human, Algorithmic Composition, experimentation, machine
Anne Marthe Dyvi
Media Arts, Video art, moving images, Colour, time based media, time, art, technology, History, politics, poetry
Paul Craenen
artistic research, contemporary music, Aesthetics and Theory of Arts, Embodied knowledge, Intermedia, education
Tilman Skowroneck
Performance practice, organology, long 18th century, Beethoven, artistic research
Henrik Stensli
engineering, technology, design, CAD, 3D models, modeling and simulation
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Polly Hember
modernism, twentieth century, visual culture, modernity, technology, cinema, modernist poetry, affect, pedagogy, queer theory, networks
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism