Ji Youn Kang
sound art, electroacoustic music, electronic music, experiential composition
Michel Roth
music, games, indeterminacy, collaborative processes, interactive performance, artistic research, organology, music theory, sonification, transdiciplinarity, field recording, acoustic ecology, Actor network theory, soundscape studies, composition
Jed Wentz
Historically imagined performance practice, acting, gesture, declamation
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
Paola Tine
Visual Anthropology, Semiotics, Social Anthropology, Phenomenology
John Cussans
science fiction, anthropology, artistic reasearch, art theory, critical theory, social psychology, Haiti, Vodou, decolonialism, horror, alterity, psychoanalysis, British Columbia, Northwest Coast First Nations, surrealism, diagrams, Ghetto Biennale, colonialism
Xenia Mura Fink
gaze, female gaze, politics of representation, figuration, drapery, queer feminism
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Marina Grzinic
necropolitics, colonial memory, aesthetics, technology, community, artistic research
Ryan Mason
choreography and performance, Choreographic Research, choreographic thinking
P d Andrea
pubblic art, organic material, community art, plants based art, shadow and light, editorial and research, visual art, care dare share, visual culture