Researchers

Julian Klein
artistic mode, practice and theory of playing, mise en musique, neuroaesthetics, emotionology, sonification, historical investigation
Luisa Greenfield
analog film, performance; landscape; video; sound; installation, practice-based research, artistic research, Essay Film
Claudia Auer
architecture, art, dance;, research, art practice, architectural research
Ashley Booth
symbols, identity, pictograms
Jonas Howden Sjøvaag
music, audio recording, DIGITAL IMAGING, digital art, drums, jazz, improvisation, artificial intelligence, songwriting, Lyrics
Matilde Meireles
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
Laura McGough
Media Art, Liveness, New Media
Sirkku Rintamäki
hymn, improvisation, play, singing, embodiment
Aina Roca Mora
architecture, cinema, cinematography, time and space, scenography, ephemeral
Fabian Chyle
PERFORMANCE STUDIES, DANCE MOVEMENT THERAPY, COMMUNITY DANCE, ARTISTICE RESEARCH, Choreography
LM Sanchez Cardona
transdiciplinarity, new media art, digital art, socially engaged art, antropocene, sound art, ethnography, philosophy as art, Beckett
Greta Pundzaite
Visual and Performing Arts, movement, physical theatre, dance, socio-cultural communication, Social Cognitive Neuroscience
Benoît Brousseau
Photographic Re-narration, . mort.
Sophia Efstathiou
Science and Technology Studies, Science and Art collaborations, animal studies, food studies, sustainability, improvisation, sound art, philosophy as art, philosophy
Martin Høybye
Songwriting, Arts-based Research, Ethnography, Embodiment, Phenomenology, Collaborative songwriting, Autoethnography, Methods development, Theories of artistic practice
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality
Miranda Kistler
art, philosophy, sensory awarness, linguistics
Stuart Slater
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme