Researchers

Tomi Humalisto
light, aesthetics, Technology in Education, education, performance
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Karin DE FLEYT
music, temporality, time and space, Stockhausen, contemporary music
mari martin
performance, collaboration, artistic processes, environment, senses, interaction, encountering, urban space, artistic research, ecology, artistic dialogue, anti-racism, transcorporeality, performing arts, virtuality, materiality, body, participatory installation, post doc research, public urban space, city, human, non-human, teacher of thatre art, multidisciplinarity, cross-disciplinarity, cooperation
Krishna Nagaraja
folk music, contemporary music, ethnomusicology, HIP
Marc Johnson
alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history, alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history
Elina Akselrud
music, interpretation, interpretation analysis, collaboration, multidisciplinary, performance, performing arts, multidisciplinary art, Crossover, cross-disciplinary, cross-genre, musical expression, crossdisciplinary, crossdisciplinary art, scriabin, Chamber music, chamber ensemble
Jelena Škulis
materiality, community, feminism, craftivism, textile, textuality, processualism, slowness
Catherine Cartwright
trauma, ethics, Participatory Art, participatory arts, Printmaking, collage, collaboration, Spaces
Lorena Croceri
performativity, innovation, sexuality, liminality, transdisciplinary studies, Performance studies, mentoring, Entrepreneurship, eroticism, project management
Polly Hember
modernism, twentieth century, visual culture, modernity, technology, cinema, modernist poetry, affect, pedagogy, queer theory, networks
Lotte Dohmen
concepts of work and labour, regenerative knowledge systems, collective research in arts, Sustainable performance
Juuso-Matias Maijanen
intimacy, physical theatre, physicality, materiality, pedagogy, Pedagogy of change, agency, consent, ruthlessness, violence, dramatic combat, stage combat, stagefight, intimacy direction, fight direction, intimitet, scenkonst, performing arts, Performing arts pedagogy
Sally Emke
fear, craft, cuteness, humor, comics, judaism