Einar Røttingen
Music Performance, performance practice, musical expression, relation composer - performer, contemporary music, 2oth century music, notation, performers analysis, articulation, sound production, metaphors
Thomas Ballhausen
text, Literature, Film studies, textualism, science fiction, philosophy
Katri Hirvonen-Nurmi
Cultural Institutions, cultural policy, Indigenous peoples, social anthropology, socially engaged art
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Ekaterina Butorina
BCI, sensors, AI, space, data, design, recording, landscape, architecture
Matthew Xie
early music performance, continuo, Lute, Lute song, Theory, performance practice
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Hans Lennart Jonsäll
electroacoustic music, electronic music, live electronics, composition, Experimental music, sound art, synthesizers, Experimental musical instruments, modular synthesizers, spirituality, Religious Studies, free improvisation, improvisation
Claus Schöning
representational theories, life sciences, policy design, non-human, Nonrepresentational Theory
Dan Lageryd
art, moving image, audio, soundscape, architecture, traffic, Noise, future, nostalgia
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology