Michael Duch
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
Rafal Hanzl
filmmaking, digital art, creativity, creativity process, film development, pre-production, previsualization, virtual reality, visual art, VFX, visuals, visual effects, storyline, emotional communication, compositing, HDRI, new media art, new technologies, postmodernism, film, contemporary media, conceptual art, digital imaging, storytelling, new media, computer-generated imagery
Tom Blancarte
double bass, improvisation, Actor network theory, translation, Language, AI, second-order systems, game studies, game-pieces, role-play, RPGs, metroidvania, platformers
Joonas Lahtinen
performance, live art, installation, participation, artist pedagogy, HEI pedagogy, public space, spatial politics, spatial analysis, epistemology, perception, politics of the body, performativity, continental philosophy, politics of architecture, mundane, text, forms and formats of research dialogue, institution, academia
Juuso-Matias Maijanen
intimacy, physical theatre, physicality, materiality, pedagogy, Pedagogy of change, agency, consent, ruthlessness, violence, dramatic combat, stage combat, stagefight, intimacy direction, fight direction, intimitet, scenkonst, performing arts, Performing arts pedagogy
Helena Persson
sound art, sound art installations, site specific artwork, spatial art, sound composition, listening
Olivia Penrose Punnett
alternative knowledge, TechnologyCulture, feminism, intuition, female gaze, magical thinking, Decolonizing methodologies