Albert Cheng-Syun Tang
Design, Critical practice, Critical speculative design, information technology, Human-machine-Interaction, creative computing, Politics of design, interaction design, graphic design, visual communication, philosophy, artificial intelligence, democracy
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Simon Gilbertson
multiplicity, materialization, music, care, devices of sensing, the in visible society, cross-professional immersion, learning and change, transversality
Alexios Brailas
Systems theory, Complexity, reflective practice, qualitative research, art-based research, group processes, digital artistic research
Pavlos Kountouriotis
live art, Performance art, Pain, altered states of consciousness, Choreography, law, queer theory, continental philosophy, systemic art, surrender, philosophy, body in performance, practice-as-research
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Beate Körner
psychosocial, normativity, Performance art, performative research, performance, transgression, artistic research, activism, collaborative processes, arts education, affect theory, care
Simon Jon Andreasen
film, games, television, storytelling, virtual production, animation, storyworlds, worldbuilding, theater, narative, devising, comics
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Julika Gittner
public sculpture, art & activism, art & regeneration, sustainability, social justice
Kateřina Maňáková
renaissance music, Renaissance Polyphony, Lute, intabulation, vihuela, voice
Mari Flønes
dance, education, a/r/tography, performative research, New Materialism, community dance, Diffractive methodology, performative inquiry, bodily learning, expanded choreography
Hoai Tran
Fashion, architecture, history of perception, history, Design Thinking, design, materials
Katelyn Rose King
co-creation, experimental systems, new music performance, new music theater, percussion performance, electroacoustic music, collaborative processes
Puck Verras
play, playfulness, role-play, LARPing, larp, games, theatre, performance, scenography, costume design, set design, game design, Anthropocene, non-human, post-human, Climate, ecology, speculative fiction, speculative design
Lenka Stepankova
artistic identity, depresentation, infrastructures of solidarity, post-studio, portraits, relational filmmaking, studio space