Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Joshua Hale
creativity, arts-based research, interdisciplinarity, design, visual art, hybridity, art and environment, human centered design
Shane Finan
place, technology, interactive, Painting, transience, ephemeral, solastalgia, interactive installation, interactive art, digital art, Language
Darya Tsymbalyuk
plants, nonhuman, Displacement, repetition, multispecies, trace, migration
Constantinos Miltiadis
architecture, virtual environments, real-time interaction, spatiotemporal environments, Spatial Audio, philosophy, game studies, virtual reality
Vadim Keylin
sound studies, sound art, partipation, digital culture, poetry, participatory art, participatory culture, creativity
Matthew Kaner
composition as research, adaptation, narrative, Practice Research
Jessica Emsley
phenomenology, nonhuman, more-than-human, Not-knowing, walking
Raisa Kilpeläinen
performing arts, performance design, scenography, lighting design, scenic art, light art, time and space, dramaturgy, art pedagogy, university pedagogy, art based research, artistic research
Marco Döttlinger
Media Arts, Experimental music, Sound Art, composition, computer music, machine learning, improvisation, Human-machine-Interaction, speculative materialism