Jostein Gundersen
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Priska Falin
Ceramic practice, aesthetic experience, embodied cognition, method and theory, material experience, sense perception, metaphor, Subtle body, meditative process
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Udo Maria Fon
perception, cognition, field of perception, rooms of perception, information rush, digitality, poetry, data entity, dada, dataism, social entropy, social resonance, metacognition
Monica Clare van der Haagen-Wulff
Postcolonial Studies, Critical Race Theory, Gender and Queer Studies, Migration, Intersectionality, Postcolonial/Decolonial Feminist Theories and Methodologies, Globalisation, Global Cities, Affect Theories, Performance Studies, Theories of Embodiement, Fictocritical Writing, Critical Heritage und Historical Memory Studies.
Carlotta Bonura
Architecture, stage design, art, exhibition, writing, Vocal performance, music, Storytelling
teresa luzio
performance; walking; visuality; performance documentation
Maria Høgh-Mikkelsen
colour, design, material, aesthetics, artistic research, textile, atmosphere, phenomenlogy, creativity, Design research, design process
Mirjam van Tilburg
art, artedu, teacher education, teacher training, Educational Turn, education
Dianne Reid
screendance, dance improvisation, site specific performance, contemporary dance, interactive performance
Helena Persson
sound art, sound art installations, site specific artwork, spatial art, sound composition, listening
Chiara Mu
performance art, visual art, intersectionality, Memory culture, embodied methodology, embodiment, risk, Care ethics, relational aesthetics