Michael Duch
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Niels Lyhne Løkkegaard
plasma, sedimentation, saturation, softening, decolonial, more-than-human, instrumentalization, folded time, occultism, potentiality, hypering, surrection
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
Henrik Stensli
engineering, technology, design, CAD, 3D models, modeling and simulation
Linde Tillmanns
conceptual art, multidisciplinarity, modern jazz, multi-instrumentalism, musical languages, linguistics in relation to music
Rachel Horst
arts-based research; artistic research; narrative methodologies; futures literacies; digital humanities; posthumanism; new materialism;
Eduardo Gaspar Polo Baader
Early music, crossmodal correspondences, new music, contemporary music, traverso, french baroque, interdisciplinarity, transdiciplinarity
Saniya Jafri
interaction design, food studies, food design, colonialism, memory practice, archive as creative practice, practice-based research