Yvon Bonenfant
voice; extended voice; live art; expanded dramaturgies; installation; extended practices; queerdom
Julieanna Preston
live art, spatial design, performance writing, new materialism, sound art, aurality
Emma WIlliams
historically informed performance, 19th century, violin, voice
Jacob Anderskov
artistic research, artistic processes, music, improvisation, composition, performance, philosophy, aesthetics, methodology, phenomenology, Hermeneutics, post-structuralism, Noise, post-tonality, ensemble, interplay, embodied cognition, participation, litterature, genre theory, metaphor, arts education, science studies, Cultural Studies, sound
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Tom Blancarte
double bass, improvisation, Actor network theory, translation, Language, AI, second-order systems, game studies, game-pieces, role-play, RPGs, metroidvania, platformers
Ivana Mancic
visual art, conflict, identity, PHOTOGRAPHY, doctoral research
Rania Ghazali
animation, motion design, illustration, visual art, drawing
Martin Høybye
Songwriting, Arts-based Research, Ethnography, Embodiment, Phenomenology, Collaborative songwriting, Autoethnography, Methods development, Theories of artistic practice
Stefan Schäfer
ecological grief, ecological loss, Climate Change, ontological design, Design research, artistic research, Death, death culture, commemorative ritual, ritual, end of life practices, mountains, rocks, Glacier, glacier funeral, Embodied knowledge, anthropocene, ecology, Environment, poetry, scores, invitations, ethics, Artistic reserach
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology