Researchers

Marcel Cobussen
sound studies, continental philosophy, improvisation, music aesthetics, New Materialism
Phil Sawdon
drawing, drawing research
Alexander Damianisch
Artistic and Scientific Research
Geetanjali Sachdev
Pedagogy, crafts., art, design, plants
Christian Doeller
error, interactive installation, agency, Noise, Human-machine-Interaction, digitalization, digitality, physical computing, sciart, transdiciplinarity, translation, transcriptions, Sculpture, DIGITAL IMAGING, prototyping, generative art
Jari Kauppinen
mediation, sound art, voice, voice and live electronics, presence, stage, vocality
Amra Heco
audio-visual, philosophy, phenomenology, art, artistic research, aesthetics, multi-mode epistemological model, multimedia, multiple belonging, multidisciplinary, psychoanalysis, psychology of perception, Jung, gardening, diaspora, quantum field, water; performance; stone;, wind, writing, rhythm language, time, translation, truth, youth, Youth driven, universe, unfinished, unlearned insight, interview, improvisation, interpretation, interactive, orientalism, performance; re-enactment; landspace; site; environment;, participation, Lecture Performance, john cage, jazz, Journal for Artistic Research, holism, harmony, heritage, FILM, food, feminism, doctorate, DIY, sound, Zodiak, criticism, children, Contemporary art, visual art, voice and live electronics, visuals, VIDEO, VISUAL CULTURE, video performance, video installation; performance; landscape; environment;, breathing, new media art, morality
Chrysa Parkinson
performance, dance, authorship
Rikki Wolpowitz
Baroque music in Vienna, JS Bach and Politics, The Death of the Orchestra, Leopold Hofmann, The Origins of Standardized Pitch
James Wood
Literature, music, aesthetics, postcolonialism, Decolonizing methodologies, phenomenlogy
Nicolau Centola
Soundart, soundscape, sound
Veerle Van der Sluys
interaction design, interplay design&science, interplay design&technology
Svein Petter Knudsen
technology, open source
Anthony JOHN THWAITES
Historically Informed Performance Practice, Brahms, British Chamber Music
Dániel Máté
home, design, ideology, Semiotics, nationalism, modernity
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater
Chiara Mu
performance art, visual art, intersectionality, Memory culture, embodied methodology, embodiment, risk, Care ethics, relational aesthetics
Bruno Tagliasacchi Masia
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
Hoai Tran
Fashion, architecture, history of perception, history, Design Thinking, design, materials
Eleonora Gasparini
unlearning, performative practice, participatory arts
Pierre-Étienne Massé
arts visuels