Remco Roes
artistic research, dialogue, visual essay, space
Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Udo Maria Fon
perception, cognition, field of perception, rooms of perception, information rush, digitality, poetry, data entity, dada, dataism, social entropy, social resonance, metacognition
Bruno Moreschi
decolonial studies, computer art, vision, computer vision, institutional critique, Artificial Intelligence (AI), technology, image, Visual Studies, Conceptual art, Contemporary art
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Cecilia Berghäll
scenography, time, transience, aesthetics, fragility, site-sensitive performance, materials, rhythm
Elsa Kosmack Vaara
time, artistic research, culinary arts, transdiciplinarity, prototyping, sustainability, participatory culture, participatory design
Nathalie S. Fari
site-specific performance, performance documentation, video performance, performed photography, filmmaking, embodiment, agency
Mafalda Deville
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Archie Reid
posthuman, queer, art process, art, synesthesia, perception, process, media, technology
Lizzie Lloyd
art writing, documentation, Association, Resonances, embodied writing, socially engaged art, writing in practice
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Diego Xavier
lines, territory, mapping, politicized art, boundaries, migration, Border Territories
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin