Joa Hug
experimental writing, unfinished thinking, embodied research, Body Weather, epistemology, methodology
Åsa Unander-Scharin
choreography, music, artistic research, robotic art, digital musical instruments, opera, opensoundcontrol, extended techniques
Lise Hovik
theatre for early years, theater installation, art for the very young, art education, artistic reasearch, musical communication, affect, affective pedagogics, Becoming, rhythm language, improvisation, Participatory Art, play, posthumanism, New Materialism
Terhi Marttila
digital art, digital literature, voice, electronic arts, Interactive Narratives, interactive art, interactive multimedia, games, Feminist Theory, sound art, migration
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
David Rych
migration, political aesthetics, politics of memory, political film, Anthropocene, migrant aesthetic, documentary, Documentary experimental, documentary film, document theory, Documentary storytelling, aesthetic journalism, Media Arts, media archeology
Merja Ryöppy
Participatory theatre, Object theatre, improvisation, human-object relating, design process, participatory design
Catherine McKinnon
narrative, Climate Change, collaboration, fragmented narratives, future, feminism, creative practice, creative ecologies, creative writing, creative process, violence, unreliable narratives, braided narratives
Ulvi Haagensen
artistic research, autoethography, drawing, performance, sculpture, installation, the everyday, blurring
Sarah Bennett
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
Matthew Kaner
composition as research, adaptation, narrative, Practice Research