Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Marion Reuter
acting, presentation, representation, Perception and Consciousness, courage, vulnerability, improvisation
Peter Freund
expanded practice, experimental film, oulipo, psychoanalysis, digital performance, topology, historical memory, image-text, algorithms
Catherine Cartwright
trauma, ethics, Participatory Art, participatory arts, Printmaking, collage, collaboration, Spaces
Anke Zijlstra
dance, art education, audiences, embodiment, public space, artistic research, participatory spectatorship
Adrian Kleinlosen
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Riikka Maria Talvitie
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
Roman Štětina
ekphrasis, description, teaching artist, intermediality, sound, radio, moving image, media history
Elena Cirkovic
more-than-human, more-than-human realms, space / place, earth processes, planetary boundaries, traditional art, sustainability, sustainable architecture, landscape, space, spaceflight, forest dynamics, animal ethics, darkness, day and night, daylight, Arctic art, arctic, Balkans, transdiciplinarity, Trauma; Memory;
Carl-Mikael Björk
performativity, queerness, narratives, posthumanism, post-qualitative inquiry, PHOTOGRAPHY, Early childhood education