Researchers
Christopher A. Williams 
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Michael Duch 
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
Stacey Sacks 
presence, embodiment, representation, animation, theatre, Sculpture, drawing, intimacy, audiences, fragmented narratives, activism, whiteness, masking, clown, performance, performer
Till Ansgar Baumhauer 
War trauma, depiction of violence, art, interdisciplinarity, interculturalit, visual culture, Afghanistan, conflict transformation art
Christina Fossaas Lindgren 
performing arts, costume design, scenography, devising, opera, music theatre, New Materialism
Nareeporn Vachananda 
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
Manoela dos Anjos Afonso Rodrigues 
Visual Arts, Autobiography, Decoloniality, arts-based research, practice-based research, practice as research, artistic method, methodology, socially engaged art, Transpedagogy, interdisciplinarity, transdiciplinarity, multidisciplinary, postdisciplinarity, Narrative Research, Oral History, family archives, Life writing, Life stories, Diary, Correspondence, Archive, Memoir
Carmen Raffaela Küster 
circus, performance, design thinking, aerial acrobatics, Body Mind Soul, body & object relationship, nature, trees
Jacek Smolicki 
field recording, soundwalking, para-archiving, soundscape, mapping, experimental cartography, personal archiving, acoustic ecology, psychogeography
Martyna Kosecka 
Music analysis, composition, composition technique, composition process, microtonal music, Spectral music, sonoristic music, electroacoustic music, electronic composition, new opera, experimental voice
Fernanda Branco 
performance; re-enactment; landspace; site; environment;, antropocene, posthumanism, soundscape, micro-phenomenology;, New Materialism
Nele Möller 
forest, biodiversity, listening practices, historical nature inscriptions, radio art, auto-theory, sound, bioacoustics, writing sound, field recording
Riikka Maria Talvitie 
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
Helena Persson 
sound art, sound art installations, site specific artwork, spatial art, sound composition, listening
