Deniz Peters
expression, music, Ensemble, empathy, aesthetics, improvisation, gesture, timbre, emotions, intermediality, embodiment, phenomenology, beauty, listening, artistic epistemology
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Yvon Bonenfant
voice; extended voice; live art; expanded dramaturgies; installation; extended practices; queerdom
Milla Kristina Tiainen
voice studies, contemporary musical performance, new materialism, environmental theory, affect, contemporary vocal art, cultural studies of music, sound studies, feminism
Josué Moreno Prieto
urban sonic space, generative art, Algorithmic Composition, urban space, Urban Acoustics, Intermedia, SITE-SPECIFIC ART
Francisca Skoogh
performance, western classical music, artistic research, psychology
Austeja Platukyte
Bioart, biodesign, materials, ecology, Climate Change, Anthropocene, Biodegradable objects, material futures, circular design, organic materials, living materials, 3d bioprinting, grown materials, hybrid materials, material design, living design objects
Garrett Lynch IRL
networked art, networked performance, post-disciplinary practice, digital arts
Sabrin Hasbun
creative writing, performative writing, History, Palestine, autofiction, autoethnography
Sarah Bennett
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality
Thale Johannessen
textile, textile design, textile making, fashion, Green, crochet, beading, earth