Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Paola Tine
Visual Anthropology, Semiotics, Social Anthropology, Phenomenology
Zubin Kanga
Contemporary Music, Technology in Performance, Performance Practice, Music and Multimedia, interdisciplinary performance, interdisciplinary music, piano
agnes villette
nuclear history, visual art, PHOTOGRAPHY, fiction, material ontology, toxicity, landscape photography, waste, Cold War-era
Camilla Carlsen
Design Thinking, Human-machine-Interaction, User Experience, User Interface, psychology
Diego Xavier
lines, territory, mapping, politicized art, boundaries, migration, Border Territories
Stefan Schäfer
ecological grief, ecological loss, Climate Change, ontological design, Design research, artistic research, Death, death culture, commemorative ritual, ritual, end of life practices, mountains, rocks, Glacier, glacier funeral, Embodied knowledge, anthropocene, ecology, Environment, poetry, scores, invitations, ethics, Artistic reserach
Aðalheiður Sigursveinsdóttir
experimental systems, embodiment, Vibration, socially engaged art, feedback loops, feminism, oneness, performance, theatre, Dramaturgy, improvisation, existential philosophy, phenomenlogy, spiritual art, writing, staged absence, symbolism, typography, artheorypractice, artistic processes, Monodrama, the fragmentary, pattern, generative neural networks, Perfomance art, poetry
Joanna Kalm
Somatic practices, embodied writing, participatory arts, expanded choreography, anthropology, autoethnography, Experiential Learning, ecosomatic
Petra Widžová
curatorial research, Artist's estates, interdisciplinary research, Artist's studios