Lauren O'Neal
curation, pedagogy, experimentation, architecture, dance, museums, galleries, academia, artistic research, process, interdisciplinarity, choreographic thinking, open-endedness, poetics, co-imagining, installation, invisible research, curatorial dramaturgy
Markéta Dolejšová
Feral, more-than-human, multispecies, embodied, sensory, co-creation
Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Leena Kela
performance art, science, collaboration, language, materiality, corporeality
Eleni-Ira Panourgia
Sculpture, sound, sound art, materials, Materials of sound, practice-based research, Practice-as-research, Performance art, Installation Art, interactive art, interdisciplinarity
Emma WIlliams
historically informed performance, 19th century, violin, voice
Danica Maier
Fine Arts, artistic research, textiles, drawing, music, installation, labour, repetition
Marisa Godoy
dance, performance, generative practices, autoethnography, improvisation choreography, video annotation
Imani Rameses
Neuroaesthetics, phenomenlogy, emotional communication, Choreographic Research, consciousness, interdisciplinarity, philosophy, neuroscience, psychogeography
Carlotta Bonura
Architecture, stage design, art, exhibition, writing, Vocal performance, music, Storytelling
Joonas Lahtinen
performance, live art, installation, participation, artist pedagogy, HEI pedagogy, public space, spatial politics, spatial analysis, epistemology, perception, politics of the body, performativity, continental philosophy, politics of architecture, mundane, text, forms and formats of research dialogue, institution, academia
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin