Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Helen Kindred
embodiment, improvisation, dance, Dance education, performance
Alexios Brailas
Systems theory, Complexity, reflective practice, qualitative research, art-based research, group processes, digital artistic research
Pedro Alegria
algorithms, Algorithmic Art, stochastic, epistemology
Martí Ruiz i Carulla
sound art, Soundsculpture, acoustics, participation, DIY, socially engaged art, science and art
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Richard Alsadi
Qanun performance, Middle East, Ancient instruments, extended techniques, Qanun, soundscape composition
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Hubert Thériault
Mythology, anti-colonialism, dissolution, territory, somatics, Reenactment
Sharin Foo
immersive performance, Spatial Audio, spatialization, music