Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Alex Nowitz
contemporary vocal performance art, voice, extended practice, improvisation and real-time composition, voice and live electronics, composition, composer-performer, politics of voice, philosophy of voice
Geir Harald Samuelsen
Painting, Archaeology, mountain climbing, PHOTOGRAPHY, writing, drawing, haptic visuality
Bilge Merve Aktaş
Design research, Craft, felt making, materiality, material agency, practice-led research, entanglements, Textiles
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
András Blazsek
Environment, Soundart, Soundscapes, media archeology, Sound Archeology, sound architecture, Data Sonification, Scupture
Bob Wijnen
jazz, piano, piano practice, organ, Hammond organ
Illia Razumeiko
music theater, Composed Theatre, performance; re-enactment; landspace; site; environment;, performance; landscape; video; sound; installation
Josh Wagner
Fiction/Narrative, Somatics, Butoh, Posthumanism, Ecology, Physics, Filmmaking, Storytelling, phenomenology, treeeeees, teratology, process ontology
Zornitsa Stoyanova
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy