K Benedikte L Esperi
immersive theatre, public art, public realm, live art, embodied methodology, Choreography, performance, dance for screen, immersive performance, avant-garde, performance; re-enactment; landspace; site; environment;, videography, post-modern dance, improvisation and real-time composition, performance lecture, Lecture Performance, artistic research, feminism
Mathieu Lacroix
composition, multichannel, electroacoustic music, max msp, classical music, music production, metal music
Jaakko Ruuska
empathy, interdisciplinarity, live art, SITE-SPECIFIC ART, site-specificity, Virtual, visual art, video performance, Participatory Art, experimental film, transdiciplinarity, Spatial Practice, writing as practice, politics of memory, Poliittinen taide, dissensus, sensuous experience
Elina Seye
ethnography, performance, embodiment, dance, music, Senegal
Paul Vickers
Sonification, auditory display, aesthetic experience, aesthetics of sound, aesthetics of sonification
Jackel Chow
FILM, narration, Directing, Storytelling, improvisation, virtual camera, visualisation, 3D animation, digital art
Tom Milnes
error, media archaeology, 3D scanning, artistic research, online cultures, post-digital, post-internet
YiLing Hung
Performance, Scenography, Social behaviour, acculturation, space and place
René Silva
Artistic Research Music, Musical Composition, Contemporary Music, Barrel Organs, heritage engagement
Xavier Mendik
Representations in cult and horror cinema, Images of terrorism in cult film traditions, Documentary film practices, Italian cinema and society, Culture and conflict in Canadian film
Linn Henriksson Strååt
Devising, scenography, costume design, devising theatre, Deleuze, phenomenlogy, New Materialism, carnal aesthetics
Tuomas Rounakari
Artistic research, Myths, mythologies, Altered states of consiousness, more-than-human, indigenous knowledge, Arctic art, community engagement, trance, transcendence, transdiciplinarity, mythical dialogue, bear feast ceremony, bear myths