Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
William Platz
drawing, drawing research, performance, life drawing, artist's model, portraiture
Jakub Pesek
music production, Accessibility, art of sound, haptic
Elina Akselrud
music, interpretation, interpretation analysis, collaboration, multidisciplinary, performance, performing arts, multidisciplinary art, Crossover, cross-disciplinary, cross-genre, musical expression, crossdisciplinary, crossdisciplinary art, scriabin, Chamber music, chamber ensemble
alejandra reyero
Photografy, visual art, visual culture, Indigenous People, Latin American art, decoloniality, writing;
Helene Waage
Music and health, Music and relations, Music and dementia, Music Performance, Folk music, Posthumanism, Posthuman methodology
Fabian Faylona
Spatial Practice, ecology, post-colonial, phenomenology, interdisciplinary, artistic research