Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Priska Falin
Ceramic practice, aesthetic experience, embodied cognition, method and theory, material experience, sense perception, metaphor, Subtle body, meditative process
Till Ansgar Baumhauer
War trauma, depiction of violence, art, interdisciplinarity, interculturalit, visual culture, Afghanistan, conflict transformation art
Russell Marshall
drawing, ambiguity, hyperdrawing, drawing ambiguity, drawing disambiguation
Niclas Hundahl
posthumanism, aesthetics, Body, music, technology, Music analysis, Music history
Peter Freund
expanded practice, experimental film, oulipo, psychoanalysis, digital performance, topology, historical memory, image-text, algorithms
Marisa Godoy
dance, performance, generative practices, autoethnography, improvisation choreography, video annotation
Nayeli Vazquez Bertely
choreography and performance, dance, choreographic thinking, Dance education, embodiment
Narges Porsandekhial
writing as practice, socially engaged art, relational aesthetics, public art, drawing, poetry, text, Writing as artistic research, text-based, Institutional Crtique, research-creation
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation