Holger Schulze
sound studies, sensory ethnography, anthropology, popular music, Media Arts, memes, Sound Design, sonic materialism, sounding art, soundscape, sound art, soundwalk, aural phenomenology, Aural Skills
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Maarten Vanden Eynde
Art, Archaeology, Geology, Science and Technology Studies, Science Fiction, Future Studies, colonization, colonial memory, natural resources, natural science, natural history museum, museology, technology, biomimicry, genetics, genealogy, genetic engineering
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Luiz Zanotello
transmedia, translation, new materialisms, poetics, language, distance, affect, ecology, time, auto-ethnography, post-colonial, site-specificity
Claus Schöning
representational theories, life sciences, policy design, non-human, Nonrepresentational Theory
Monica Lim
Interactive Composition, Interactive Art, Experimental Music, New instruments for Music Exploration, Computer Music, AI in Music
Anne Hytta
artistic research, traditional music, Practice-as-research