Håkon Mørch Stene
Experimental music, interpretation, multidisciplinary, artistic research, pedagogy
Elisabeth Schäfer
deconstruction, Philosophy of the Body, Écriture féminine, Cixous, Derrida, Kristeva, Irigaray, Nancy, queer theory, Feminist Art, Feminist Philosophy, psychoanalysis, Butler, Freud, Laplanche, Theories of Embodiment, Theories of Subjectivation
Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Daniel Hug
sound, sound studies, Sound Design, Design research, participatory design
Jonathan Reus
embodied cognition, improvisation and real-time composition, voice and electronics, hardware instruments, software studies, Software Development, electronic music, hybrid musical instruments, voice studies, improvisation, live electronics, critical technical practice, Artificial Intelligence (AI), new music performance, Experimental music
Jakub Pesek
music production, Accessibility, art of sound, haptic
Joanna Magierecka
participatory strategies in art, theater installation, Performance art, Contemporary art
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Johannes Maria Schmit
Regie-Theater (Directors’ theater), Consent, Actor, Director, Postdramatic Theater // Transference, Regie-Theater, actor training, transference, psychoanalysis, consent
Madeleine Campbell
Experiential translation, Intersemiotic Translation, Arts-informed research methods, Francophone literature, translation, Poetry, multimodality, intermediality