Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Cecilia Lagerström
performance with a focus on site-creating and site-critical activities, physical performance training connected to directing and dramaturgy, decolonial aspects on place and body, walking art, performative writing
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Julia Hoelzl
limits, limit-experiences, endings, finitude, transience
daniela fantechi
experimentation, microphones, materiality, DIY, composition process, live electronics, drone music, instrumental technique, Instrumentality
Nareeporn Vachananda
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
Anders Holst
music, artistic research, improvisation, composer as performer, intuition, embodiment, object-body relationship, spatiality, tactility, transcendence, philosophy, methodology, phenomenology, aesthetics, time
Emma Richey
animation, musicology, phenomenology, algorithmic processes
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation
Petra Widžová
curatorial research, Artist's estates, interdisciplinary research, Artist's studios