Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Jean Penny
flute and electronics, electroacoustic music, performance, composition, musicology, artistic research
D.A. Calf
sound, sonic materialism, Spatial Practice, archival practice, balkan history, french history, Language, serialisation, contested territories, Memory culture, memory politics, Sound Design, the quotidian, composition, memory, time studies, geology, archaeology
Camila Mangueira Soares
Image, Image-based media;, media archeology, Media Arts, critical design, speculative design, Alternative Archives, creative process, Semiotics
Polly Hember
modernism, twentieth century, visual culture, modernity, technology, cinema, modernist poetry, affect, pedagogy, queer theory, networks
Kamila Wolszczak
other than human, relational aesthetics, Artifacts, traces, speculative practice
Sara Hulkkonen
Craft, glass, practice-led research, New Materialism, sociomateriality
Melissa Ryke
Embodied listening, sound art, installation, contact improvisation, Video art, acoustic ecology, field recording, listening
Marco Döttlinger
Media Arts, Experimental music, Sound Art, composition, computer music, machine learning, improvisation, Human-machine-Interaction, speculative materialism