Michael Duch
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
JULIE MARSH
Site-specific, space, moving image, site, site-integrity, representation, performance
Alexandra Crouwers
ecology, Ecological Consciousness, science fiction, forest, digital art, digital cultures, speculative fiction, divination, technology, interspecies fictions, nonhuman perspective, experimental film, sound art, augmented reality, mixed reality, multispecies, natural science, digital space
Laureen Mahler
making, practice-led research, interdisciplinarity, origami tessellations, folding, materiality, entanglements, dynamic space, visuality of making, sustainability, perception
Kim Spierenburg
music, Film-making, animation, socially engaged art, socially engaged research, Socially engaged artistic practice, artistic research, artistic method, artistic processes, art practice, audience response, audience engagement, Audience participation
Dorian Vale
Philosophy of Art, art criticism, Aesthetics, Art Theory, Contemporary Aesthetics, Comparative Aesthetics, Visual Culture Studies, Epistemology of Art, Post-Interpretive Criticism, Stillmark Theory, Message-Transfer Theory, Aesthetic Displacement Theory, Theory of Misplacement, Absential Aesthetics, Hauntmark Theory, Aesthetic Recursion Theory, Viewer as Evidence Theory