Sónia Pina
Intermedia, intermediality, Fluxus, New-Media, Intersemiotics, communication, expanded-arts, visual ontologies
Stacey Sacks
presence, embodiment, representation, animation, theatre, Sculpture, drawing, intimacy, audiences, fragmented narratives, activism, whiteness, masking, clown, performance, performer
Einar Røttingen
Music Performance, performance practice, musical expression, relation composer - performer, contemporary music, 2oth century music, notation, performers analysis, articulation, sound production, metaphors
Matilde Meireles
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
Eric Souther
Code, toolmaking, new media art, New Materialism
Heidi Möller
artistic research, artistic processes, artwork, art
Uwe Steinmetz
Jazz, postsecularity, religion and music, Lyricon, electroacoustic music
Tilman Skowroneck
Performance practice, organology, long 18th century, Beethoven, artistic research
Anna Lorenzana
Image-based media;, computer interface history, archival art practice, Archival Research, power structures in the systematics of public administration, sculptural arts, archaeological imagnation, site-specific narratives, sculptural practice
Oprescu Simina
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin