Misha Penton
voice, postopera, experimental voice, devised performance, improvisation, poetics, mythopoeia, classical reception, Greek Mythology, fairytale
Tove Dahlberg
opera performance, gender, agency, performance norms
ARNAU MILLÀ BENSENY
sound art, sound to symbol, improvisation, multidisciplinary, Language, code, dance, moviment, soundscape, public space, Site-specific
Edmund Hunt
contemporary music, electroacoustic music, composition, computer music, Chamber music, composition process, contemporary dance, opera, voice and live electronics, voice, Live-electronics, Orchestra, Language
Thilde Dalager
experimental animation., authorial illustration, abjection, interdisciplinarity, the gaze, Julia Kristeva