Jostein Gundersen
music, improvisation, historically informed performance, Historical Improvisation, recorder, contemporary music
Edit Kaldor
performance, theatre, Dramaturgy, spectatorship, participation, co-creation, documentary, pedagogy
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Jordan Sand
double bass, improvisation, composition, process-based, penguin, Music philosophy, nomadism, breathing, voice, organ, hymn, violin, Collaborative Space
Maarten Vanden Eynde
Art, Archaeology, Geology, Science and Technology Studies, Science Fiction, Future Studies, colonization, colonial memory, natural resources, natural science, natural history museum, museology, technology, biomimicry, genetics, genealogy, genetic engineering
Dominik Schlienger
spatial interaction in music, art and technology, philosophy of technology, Spatial Audio
Ylva Gustavsson
FILM, Film-making, collaborative film making, Film Directing
Torben Körschkes
spatial design, Political Design, architecture, architectural research, artistic research, essay
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music
Ewa Łączkowska
Sociology, dance, Onto-epistemology, indigenous knowledge, STS, knowledge making, perception, somatic approach, arts-based research
Leslee Smucker
liminality, violin, contemporary music, Experimental music, theatre, prepared instruments
Victoria Oftestad
historically informed performance, acting, singing, theatre, theater
Aðalheiður Sigursveinsdóttir
experimental systems, embodiment, Vibration, socially engaged art, feedback loops, feminism, oneness, performance, theatre, Dramaturgy, improvisation, existential philosophy, phenomenlogy, spiritual art, writing, staged absence, symbolism, typography, artheorypractice, artistic processes, Monodrama, the fragmentary, pattern, generative neural networks, Perfomance art, poetry