Electa Behrens
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Helga Schmid
Time, Chronobiology, Sociology, Psychology, performance, design=art=research
Mauricio Carrasco
artistic research, embodiment, performance, qualitative research methods, transdiciplinarity
Sigrid Espelien
clay, soil, landscape, leire, jord, landskap, situert kunnskap, blåleire, tegl, jording, kunsthåndverk, keramisk kunst, brukskunst
Olof Misgeld
music, folk music, dance, improvisation, traditional music, tradition, music theory, Music analysis
PoL Manterani
ecology of artistic research, magical thinking, art, visual art, interdisciplinarity, social coexistence, fungi, functional harmony, CONTEMPORARY MEDIA, future-shaping, regenerative knowledge systems