Henrik Frisk
Improvisation, HCI, Composition, Sound design, Music philosophy
Bjarni Gunnarsson
Algorithmic Composition, computer music, electroacoustic music, programming language
Vasco Alves
music, Music Education, Musical performance, music aesthetics, Music philosophy, Music analysis, music theory, Musical Cultures, Music editing, musical instruments, musical narrative, Musical Syntax, musical communication, musical expression, musical narration, musicality, musical and artistic development, musical literacy, musicology, music theater
Avery Gosfield
Music, earlymusic, Early music, Early Music research, early music performance, early music pedagogy, Medieval music, renaissance music, Jewish music, recorder, Jewish studies, poetry, Early modern poetry, musicology, Music editing, artistic research, transcultural, traditional music, Italian poetry
Henrik Stensli
engineering, technology, design, CAD, 3D models, modeling and simulation
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Eszter Mag
Participatory Art, puppetry, theatre, intuition
Joanna Staruch-Smolec
Music Performance, Belgian school of violin playing, early recordings, 19th-century performance practice, violin
Lenka Stepankova
artistic identity, depresentation, infrastructures of solidarity, post-studio, portraits, relational filmmaking, studio space