Cecilia Lagerström
performance with a focus on site-creating and site-critical activities, physical performance training connected to directing and dramaturgy, decolonial aspects on place and body, walking art, performative writing
Mark Tatlow
early music performance, early opera, embodied research, the musical event
Tatjana Macic
artistic processes, writing, theory, performance, institutional critique, education, laguage
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Tove Dahlberg
opera performance, gender, agency, performance norms
Saskia de Wildt
arts-based research, ethnography, visual ethnography, environmental humanities, Politics of knowledge, critical discourse analysis, Global development studies, sustainability
Evi Jägle
Deleuze, art, post-structuralism, film-philosophy, performance philosophy, Foucault, philosophy as art, Philosophy On Stage
Illia Razumeiko
music theater, Composed Theatre, performance; re-enactment; landspace; site; environment;, performance; landscape; video; sound; installation
Hiba Masad
Storytelling, Printmaking, reading, belonging, Artistic reserach, public space, public art, libraries, archives, identity, Homeland, home, Pain, collective memroy
Hubert Thériault
Mythology, anti-colonialism, dissolution, territory, somatics, Reenactment