Researchers
Marie Fahlin 
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Paula Kramer 
contemporary outdoor movement practice, performance, landscape, daily life, resonance, environment
Jim Harold 
visual art, Poetry, Photography, Place Identity, Marginal landscapes, Contested Spaces and Histories
Beate Körner 
psychosocial, normativity, Performance art, performative research, performance, transgression, artistic research, activism, collaborative processes, arts education, affect theory, care
Martí Ruiz i Carulla 
sound art, Soundsculpture, acoustics, participation, DIY, socially engaged art, science and art
Kristin Norderval 
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Richard Alsadi 
Qanun performance, Middle East, Ancient instruments, extended techniques, Qanun, soundscape composition
Dominika Łabądź 
ecology of creativity, creative ecosystem, self-organization, Collective Unconscious, collectivism, artistic research, artistic method, artistic process, performative exchange, collaboration, equity, care, open source, solidarity language, post-conceptual art, visual art, activism
Linde Tillmanns 
conceptual art, multidisciplinarity, modern jazz, multi-instrumentalism, musical languages, linguistics in relation to music
Karen Werner 
radio art, transmission, installation, performance, socially engaged art, relationality, interference, artistic research, speaking nearby, distance, communication, dialogical aesthetic, activist art, diaspora, Mini FM, community radio, lecture-performance, conversation as co-creation, feminist, indigenist, subjectivity, community economies, weak theory
Yamil Hasbun Chavarría 
Actor network theory, governmentality, Design research, materiality, material ontology, Semiotics, material semiotics
Sarah Bennett 
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
Zornitsa Stoyanova 
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy
