Christopher A. Williams
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Matilde Meireles
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
Jamie Savan
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Doris Ingrisch
gender and cultural studies, dialogue between art & science, history of science, arts based and experimental research methods
Srisrividhiya Kalyanasundaram
aesthetics and philosophy, Ecological Consciousness, Eco-ethics, Eco -philosophy and Eco-aesthetics, Arts Education, Visual Design, Illustration, Earth Education, Conservation, Communication, Art History, Creative Writing, Indian art and aesthetics, Indian philosophy, Ecological consciousness, Eco-philosophy, Eco-art and aesthetics
Rachel Kaminski Sanders
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Emilie Gallier
Choreography, documentation, performance, spectatorship, participation
Claus Schöning
representational theories, life sciences, policy design, non-human, Nonrepresentational Theory
Ana Pireva
paper, papermaking, Printmaking, Workshop, drawing research, Lithography, ink, Painting
Sabina Holzer
anthropocene, ecologies, more-than-human, intersectional feminism, materiality, Body based art, science fiction, poetry, community, dance