Michael Kahr
jazz, Music history, music theory, popular music, artistic research
Julian Klein
artistic mode, practice and theory of playing, mise en musique, neuroaesthetics, emotionology, sonification, historical investigation
Catherine McKinnon
narrative, Climate Change, collaboration, fragmented narratives, future, feminism, creative practice, creative ecologies, creative writing, creative process, violence, unreliable narratives, braided narratives
Tina Auer
experiential futures, futures literacy, lighthouses, The Art of Powerful Questions, Immersive Environments, narratives
Linde Tillmanns
conceptual art, multidisciplinarity, modern jazz, multi-instrumentalism, musical languages, linguistics in relation to music
Mari Flønes
dance, education, a/r/tography, performative research, New Materialism, community dance, Diffractive methodology, performative inquiry, bodily learning, expanded choreography
Ettore Cauvin
Classical Music, Clarinet, Interdisciplinarity, Performance, Performing Arts, Crossover, Ethnography, Nordic Music, Danish Folk Music, Sustainable performance, sustainable development, performance; re-enactment; landspace; site; environment;, embodiment, choreography and performance
Narges Porsandekhial
writing as practice, socially engaged art, relational aesthetics, public art, drawing, poetry, text, Writing as artistic research, text-based, Institutional Crtique, research-creation
Leslee Smucker
liminality, violin, contemporary music, Experimental music, theatre, prepared instruments
Luc Gosselink
design, art, furniture design, repair, environmental awareness, change is possible