Markéta Dolejšová
Feral, more-than-human, multispecies, embodied, sensory, co-creation
Casper Schipper
sound, computer music, programming, research catalogue, composition, coding
Michael Lazar
Broad - from science to art and the boundary between them
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
Per Roar
Choreography, Performance studies, Trauma studies, Memory, Autoetnography, Composition, Fieldwork, Politics of representation, Artistic research
Tina Auer
experiential futures, futures literacy, lighthouses, The Art of Powerful Questions, Immersive Environments, narratives
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág