Matthias Heyman
jazz, popular music, improvisation, jazz history, Jazz Studies, HIP, historically informed performance, artistic research, bass, double bass
daniela fantechi
experimentation, microphones, materiality, DIY, composition process, live electronics, drone music, instrumental technique, Instrumentality
Yann Coppier
Sound art, Absurd sounds, Poetry, Politics, Meaning, Dramaturgy, Poetics
Kersti Grunditz Brennan
filmmaking, film editing, dancefilm, moving images, cinematic storytelling, Film studies, physical cinema, character development, collaborative practice
Charlotta Ruth
repetition, liveness, documentation, ludic structures, choreography, participation, collaboration
Emilie Gallier
Choreography, documentation, performance, spectatorship, participation
Corey Mwamba
music, improvised music, phenomenology, Practice-as-research, musicology
Darren O'Brien
counter cartography, Walking Art; Social Art Practice; Perfromance & Artistic Intervention, walking art, mapping, psychogeography, drawing research, Sculpture, Writing as artistic research
Illia Razumeiko
music theater, Composed Theatre, performance; re-enactment; landspace; site; environment;, performance; landscape; video; sound; installation
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Josh Wagner
Fiction/Narrative, Somatics, Butoh, Posthumanism, Ecology, Physics, Filmmaking, Storytelling, phenomenology, treeeeees, teratology, process ontology
Helene Waage
Music and health, Music and relations, Music and dementia, Music Performance, Folk music, Posthumanism, Posthuman methodology