Researchers

Anna LIndal
music
Tove Dahlberg
opera performance, gender, agency, performance norms
Marie-Andrée Robitaille
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Bjarni Gunnarsson
Algorithmic Composition, computer music, electroacoustic music, programming language
Jackel Chow
FILM, narration, Directing, Storytelling, improvisation, virtual camera, visualisation, 3D animation, digital art
Paola Tine
Visual Anthropology, Semiotics, Social Anthropology, Phenomenology
Cha Blasco
Technology Innovation, New media, New Protocols, Decentralized Systems, Performance Philosophy, Music, Performance, Philosophy, Antroposophy, Ecosophy
Tina Auer
experiential futures, futures literacy, lighthouses, The Art of Powerful Questions, Immersive Environments, narratives
Maarten Vanden Eynde
Art, Archaeology, Geology, Science and Technology Studies, Science Fiction, Future Studies, colonization, colonial memory, natural resources, natural science, natural history museum, museology, technology, biomimicry, genetics, genealogy, genetic engineering
Linde Tillmanns
conceptual art, multidisciplinarity, modern jazz, multi-instrumentalism, musical languages, linguistics in relation to music
Rut Karin Zettergren
collective research in arts, technofeminism, cyberfeminism, future, speculative fiction, military heritage of technology, repurposing technology, reimagining
Hala Ali
Collaboration between Visual Arts and Other Discipline, Audience Engagement and Interaction;, noeuroscience and art
Šárka Zahálková
art, participation, soundscape, ecofeminism, engaged listening, field recording, posthumanism, acoustic ecology