Researchers
Eugene A. Kim 
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Torben Snekkestad 
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Eduardo Gaspar Polo Baader 
Early music, crossmodal correspondences, new music, contemporary music, traverso, french baroque, interdisciplinarity, transdiciplinarity
Karen Werner 
radio art, transmission, installation, performance, socially engaged art, relationality, interference, artistic research, speaking nearby, distance, communication, dialogical aesthetic, activist art, diaspora, Mini FM, community radio, lecture-performance, conversation as co-creation, feminist, indigenist, subjectivity, community economies, weak theory
Pinzón Lizarazo Oscar Daniel 
Paper engeneering, Fanzine, Comic, ecology, circular economy, artistic research, art education, artist book, non-conventional supports, editing, migration, movement, Transposition, Free culture, Storytelling, Transduction, Translation, Transdiciplinary Colaboration, Transmediality, Graphic storytelling
Ettore Cauvin 
Classical Music, Clarinet, Interdisciplinarity, Performance, Performing Arts, Crossover, Ethnography, Nordic Music, Danish Folk Music, Sustainable performance, sustainable development, performance; re-enactment; landspace; site; environment;, embodiment, choreography and performance
Riikka Maria Talvitie 
composing, contemporary music, collaborative, dialogic aesthetics, distributed creativity
Bruno Tagliasacchi Masia 
jazz, jazz theory, jazz drums, jazz improvisation, jazz history, jazz trio, Jazz Studies, Jazz Language, drums, drum solo, drummer, drumming, drum solo development, Drum Kit, drum, temporality, tempo, time, time and space, time gesture, timelessness, esotericism, Esoteric Knowledge, Mystics, improvisation, improvisation music harmony music theory, improvisation and real-time composition, improvised music, improvisational scores, avant-garde, silenced narratives, Silence, silences, Silence in the space, Silence perception, Silence as compositional material, Silence as method, silenzio
Haoqing Yu 
New media, Visual Studies, Cultural Studies, drawing, Painting, AI ART, digital art, Archival Research
