Researchers
Marie Fahlin 
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Michael Duch 
experimental composition, Experimental music, free jazz, free improvisation, spatialisation, double bass, contemporary music
Einar Røttingen 
Music Performance, performance practice, musical expression, relation composer - performer, contemporary music, 2oth century music, notation, performers analysis, articulation, sound production, metaphors
Terhi Marttila 
digital art, digital literature, voice, electronic arts, Interactive Narratives, interactive art, interactive multimedia, games, Feminist Theory, sound art, migration
Jeannette Ginslov 
Screendance, Embodied Dance Practice, Dance-tech practice, Embodied technologies, Embodied Materiality
Peter Wynne-Willson 
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Petra van Aken 
Performance in public space, Workshop, Embodied knowledge, Body based art, Body of the Performer, inter acctment, spatial perception and cognition
Adrian Kleinlosen 
composition, aesthetics, music technology, Algorithmic Composition, music theory, Morphology, computer music
Charlotte Riedijk 
physical performance, body awareness, vocal studies, classical singing, musicality of movement for singers, mime, stage presence
