Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Emlyn Stam
early recordings, 19th century, 19th century performance practice, contemporary music
Marisa Godoy
dance, performance, generative practices, autoethnography, improvisation choreography, video annotation
Arnas Anskaitis
artistic research, diagram, experiment, publication, writing
Sara Gomez
Political Studies, visual art, choreography and performance, philosophy
Jahrmann Margarete
game studies, artwork, artistic epistemology, digital art, neuroscience, activism
Archie Reid
posthuman, queer, art process, art, synesthesia, perception, process, media, technology
Sarah Bennett
archives, artistic research, site responsive practices, Fine Arts, affect, Higher education in the Arts
Matthew Kaner
composition as research, adaptation, narrative, Practice Research
Tobiáš Kolmačka
Archeology, Religious Studies, Ancient Greek Theatre, linguistics
Melissa Ryke
Embodied listening, sound art, installation, contact improvisation, Video art, acoustic ecology, field recording, listening
Rut Karin Zettergren
collective research in arts, technofeminism, cyberfeminism, future, speculative fiction, military heritage of technology, repurposing technology, reimagining
Helena Persson
sound art, sound art installations, site specific artwork, spatial art, sound composition, listening