Håkon Mørch Stene
Experimental music, interpretation, multidisciplinary, artistic research, pedagogy
Stacey Sacks
presence, embodiment, representation, animation, theatre, Sculpture, drawing, intimacy, audiences, fragmented narratives, activism, whiteness, masking, clown, performance, performer
Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Jennifer Torrence
Percussion, contemporary music, new musical works, Experimental music, collaboration, collaborative processes, devising
Jeannette Ginslov
Screendance, Embodied Dance Practice, Dance-tech practice, Embodied technologies, Embodied Materiality
Avery Gosfield
Music, earlymusic, Early music, Early Music research, early music performance, early music pedagogy, Medieval music, renaissance music, Jewish music, recorder, Jewish studies, poetry, Early modern poetry, musicology, Music editing, artistic research, transcultural, traditional music, Italian poetry
Laisvie Andrea Ochoa Gaevska
dance, Choreography, multimedia, inclusive dance, feminist art, somatics, improvisation, video performance, video dance, Disability Studies
Pavlos Kountouriotis
live art, Performance art, Pain, altered states of consciousness, Choreography, law, queer theory, continental philosophy, systemic art, surrender, philosophy, body in performance, practice-as-research
Maud Haering
Caldara, singing, salterio, scialmo, chalumeau, cymbalum, Psalterium, Vienna, Oratorio
Filipa Cruz
art, artistic research, Sculpture, Poetic writing, Aesthetics and Theory of Arts, art and literature, Media Arts
P d Andrea
pubblic art, organic material, community art, plants based art, shadow and light, editorial and research, visual art, care dare share, visual culture