Researchers
Trond Lossius 
sound art, installation, audio-visual, field recording, ambisonics, place, real-time, spatial audio, artistic research
Michel Roth 
music, games, indeterminacy, collaborative processes, interactive performance, artistic research, organology, music theory, sonification, transdiciplinarity, field recording, acoustic ecology, Actor network theory, soundscape studies, composition
Jamie Savan 
Historically-informed performance, Applied organology, Performing with technology, Early Music, New Music, HIP, Music and Space
Freï von Fräähsen zu Lorenzburg 
Performance, Performance art, Performance art theory and practice, Conceptual art, Monarchy, Ceremony, ritual, rituality, performativity, performative research, transmedia, anthropology, Queer, queer theory, Micronations, Micronationalism, Magick, Magic, Theology
ARNAU MILLÀ BENSENY 
sound art, sound to symbol, improvisation, multidisciplinary, Language, code, dance, moviment, soundscape, public space, Site-specific
Mafalda Deville 
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Alejandro Montes de Oca 
artistic research, sound art, electroacoustic music, music technology, environmental art, outdoor arts
Martin Scheuregger 
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Anja Plonka 
somatics, gaia, trauma healing, ecology, ecological trauma, Water, scores, perfomance for camera
