Luc Döbereiner
music, aesthetics, technology, sound art, materiality, composition
Matilde Meireles
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
András Blazsek
Environment, Soundart, Soundscapes, media archeology, Sound Archeology, sound architecture, Data Sonification, Scupture
Martin Scheuregger
Composition, Temporality, Music Analysis, Cultures of Composition in Academia, Twentieth-Century Music, Contemporary Music, Contemporary Arts and Culture, Composition, temporality, contemporary music, twentieth century music, collaboration, composition as research, composition tools, musical analysis, George Benjamin, György Kurtág
Theodore Teichman
embodiment, environmental art, environmental sound, environmental stewardship, environmental artistic research, environmental humanities, environmental ethics, ecology, eco-art, ecocriticism, ecopsychology, artistic research, landscape, landscape art, land-art, Landscape.Body, sound art, soundwalk, soundscape composition, soundscape, psychogeography, psychoacoustics, phenomenology, materiality, vibrant matter, material perception, material ontology, body extended, performance, site, Site-specific, place, Place and time, placemaking, time, time based media, time ecology, Film-making, photographic practice
Laureen Mahler
making, practice-led research, interdisciplinarity, origami tessellations, folding, materiality, entanglements, dynamic space, visuality of making, sustainability, perception
Alan O'Leary
video essays, Videographic criticism, epistemology, film production teaching
Celeste Pedro
information visualisation, visual rethoric, medieval diagrams
Vilja Achté
computer-generated imagery, narrativity, environmental humanities, digitality, new media art