Tanja Orning
Performance, contemporary music, higher education, Cello, curatorial practices, Performance studies, performance
Elina Seye
ethnography, performance, embodiment, dance, music, Senegal
Emilie Gallier
Choreography, documentation, performance, spectatorship, participation
Emma Margetson
electroacoustic music, electroacoustic composition, acousmatic, acousmatic music, acousmatic listening, engagement, participation, audiences, collaboration, artistic research
Maarten Dillen
auto-ethnography, drawing, visual art, dialogue, artistic research, methodology, art education, PHOTOGRAPHY
Késia Decoté Rodrigues
music, Music Performance, interdisciplinary arts, Audience participation, Digital concerts, liveness, Women in Music