Researchers
Christopher A. Williams 
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Barbara Macek 
poetics, biophilosophy, transdiciplinarity, interspecies relationships, poetry, medical history, medical humanities, autoimmunity, pain, existential philosophy, psychoanalysis, memory, nothingness, time
Johannes Kretz 
Transculturality, composition, electroacoustic music, electronic music, Live-electronics, ethnomusicology, philosophy, philosophy as art, biology, mathematics, Physics
Nareeporn Vachananda 
temporality, performer-audience relationship, solo dance practice, Noh theatre, time, improvisation, granularity, indeterminacy, relationality
Nicolas Pierre Alexandre (NPA) Roudier 
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Rachel Horst 
arts-based research; artistic research; narrative methodologies; futures literacies; digital humanities; posthumanism; new materialism;
Oprescu Simina 
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Stuart Slater 
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme