Researchers

Tomi Humalisto
light, aesthetics, Technology in Education, education, performance
Elin Tanding Sørensen
artistic research, artistic method, architectural research, urban blue, more-than-human, more-than-human care, urban ecology and water-management, co-creational practices, experimental archeology, marine landscape architecture, marine biology, ecological engineering, ethic of wonder, nature as mentor, multispecies urbanism, undisciplined
Emma WIlliams
historically informed performance, 19th century, violin, voice
Simon Gilbertson
multiplicity, materialization, music, care, devices of sensing, the in visible society, cross-professional immersion, learning and change, transversality
James Wood
Literature, music, aesthetics, postcolonialism, Decolonizing methodologies, phenomenlogy
Tom Milnes
error, media archaeology, 3D scanning, artistic research, online cultures, post-digital, post-internet
Ingrid Roig
Kodály, Music Education, music theory
Marc Johnson
alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history, alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history
Sílvia Simões
artwork, art practice, drawing
Dan Lageryd
art, moving image, audio, soundscape, architecture, traffic, Noise, future, nostalgia