Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Yvon Bonenfant
voice; extended voice; live art; expanded dramaturgies; installation; extended practices; queerdom
Ji Youn Kang
sound art, electroacoustic music, electronic music, experiential composition
Barbara Lueneburg
Instrumental Performance Studies, Participatory Art, Authorship, Collaboration, Methodology, Embodiment, Artistic Research
Per Roar
Choreography, Performance studies, Trauma studies, Memory, Autoetnography, Composition, Fieldwork, Politics of representation, Artistic research
Hwa Young Jung
art, artistic research, socially engaged art, Social Practice, criminology
Catherine McKinnon
narrative, Climate Change, collaboration, fragmented narratives, future, feminism, creative practice, creative ecologies, creative writing, creative process, violence, unreliable narratives, braided narratives
Peter Wynne-Willson
Applied Theatre, Theatre-in-Education, Cross-cultural collaboration, multi-lingual theatre, Theatre for Young Audiences, Anglo-Korean Collaboration, Drama in Early Years, Sarah Kane
Fernanda Branco
performance; re-enactment; landspace; site; environment;, antropocene, posthumanism, soundscape, micro-phenomenology;, New Materialism
Maia Navas
videoart, experimental film, Contemporary art
Maarten Dillen
auto-ethnography, drawing, visual art, dialogue, artistic research, methodology, art education, PHOTOGRAPHY
Monica Lim
Interactive Composition, Interactive Art, Experimental Music, New instruments for Music Exploration, Computer Music, AI in Music