Mark Tatlow
early music performance, early opera, embodied research, the musical event
Adrian Artacho
Augmented Instruments, extended instrument, process oriented practices, music, composer as performer
Simon Gilbertson
multiplicity, materialization, music, care, devices of sensing, the in visible society, cross-professional immersion, learning and change, transversality
Jackel Chow
FILM, narration, Directing, Storytelling, improvisation, virtual camera, visualisation, 3D animation, digital art
Rachel Kaminski Sanders
historical research, the dissertation, the syllabus, articulation, Cultural Studies, fashion, New literacies, arts-based research, writing, dress, critical consumerism, intersectionality
Francisca Skoogh
performance, western classical music, artistic research, psychology
Maarten Vanden Eynde
Art, Archaeology, Geology, Science and Technology Studies, Science Fiction, Future Studies, colonization, colonial memory, natural resources, natural science, natural history museum, museology, technology, biomimicry, genetics, genealogy, genetic engineering
Helen Scarlett O'Neill
site-responsive, mixed reality, immersive, public space, audience, heritage, art in unexpected places, communities of becoming
Elina Akselrud
music, interpretation, interpretation analysis, collaboration, multidisciplinary, performance, performing arts, multidisciplinary art, Crossover, cross-disciplinary, cross-genre, musical expression, crossdisciplinary, crossdisciplinary art, scriabin, Chamber music, chamber ensemble
Denisa Salontayova
design, textile design, textile print, Textiles, graphic design, graphic art, national identity, textile making, fashion, VISUAL CULTURE, cultural memory, culture, artistic research, art education, heritage, history of ideas, Czechoslovakia, dream as collective matter