Danny Butt
research methods, artistic research, Settler Colonialism, Platforms, Neoliberal Aesthetics, History of Universities, methodology
Tim Boykett
exploratory practices, futures, mathematics, participation, boating, open processes, facilitation, cargo, physical narration
Marie Fahlin
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Jari Kauppinen
mediation, sound art, voice, voice and live electronics, presence, stage, vocality
Uwe Steinmetz
Jazz, postsecularity, religion and music, Lyricon, electroacoustic music
Tove Dahlberg
opera performance, gender, agency, performance norms
Andrew Knight-Hill
Sound Art Sound-Space, electroacoustic music, electroacoustic composition
derek pigrum
visual art, Semiotics, philosophy, education, phenomenology, practice, process, Practice-as-research
Juuso-Matias Maijanen
intimacy, physical theatre, physicality, materiality, pedagogy, Pedagogy of change, agency, consent, ruthlessness, violence, dramatic combat, stage combat, stagefight, intimacy direction, fight direction, intimitet, scenkonst, performing arts, Performing arts pedagogy
Heper Sayar
Artificial Intelligence (AI), non-human, Techno Arts, psychology of perception, Visual Perception, Human-machine-Interaction
Stuart Slater
contemporary explorations of John Cage, reclaiming John Cage as a musicological resource, silence as musical episteme