Torben Snekkestad
improvisation, embodiment, sampling, critical listening, instrument design, extended techniques, music technology, new materialisms, experimental music, diffractive methodology, phenomenology, listening practices, electroacoustic music
Tatjana Macic
artistic processes, writing, theory, performance, institutional critique, education, laguage
Carlos Roos
metaphysics, global music, phenomenology, film, performance, critical theory
Jakub Jan Ceglarz
Layers, art, queer theory, Foucault, performance; landscape; video; sound; installation, Golding, Palimpsest, continental philosophy
Jessica Kaiser
artistic research, Performance studies, music interpretation, music aesthetics, Music philosophy
Katrin Ackerl Konstantin
performance, transdiciplinarity, theater, artistic research, psychology, queer theory, Gender studies
Marianne Baudouin Lie
music, contemporary music, microtonal music, presence, performance, performing arts, embodiment, Entrepreneurship, improvisation, performer-composer collaboration
Karl Salzmann
Soundart, Grammophonmusik, turntables, Soundsculpture, materiality, recording technique, Graphical scores
Stefan Paulus
Subjektwissenschaft, non-photography, glatte und gekerbte Räume
Lisa Dillan
improvisation, improvisation exercises., improvisational scores, improvisational theatre, improvisation and real-time composition, improvisation psychology, listening, listening practices, Meditation, concentration, Flow, communication
Michael Lukaszuk
computer music, new media art, Algorithmic Composition, post-digital, Instrumentality