Researchers

Mike Croft
perception, drawing, artwriting, Painting, autofiction, drawing research, language-based practice
Luis Miguel Delgado Grande
music theory, composition, Semiotics, representational theories, Nonrepresentational Theory, soundscape, sound art
Christine Petersen
Collective memory and Space
Richard Meeuws
art, artwork, art theory, art education, Metamodernism
Svein Høier
Sound, Film-making, New media
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Helena Marinho
performance research
Evi Jägle
Deleuze, art, post-structuralism, film-philosophy, performance philosophy, Foucault, philosophy as art, Philosophy On Stage
Andrew Knight-Hill
Sound Art Sound-Space, electroacoustic music, electroacoustic composition
Nora Rinne
performance art, live art, artistic research, children, childhood, verbatim, imitation
Ragni Støen
NTNU Design
Fulya Uçanok
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Joana Braga
urban space, Spaces in between, space and body, time and space, performance; landscape; video; sound; installation
Pedro Amado
type design, typography, interaction design, creativity, creative coding, creative computing, web design, design, graphic design, editorial design, interface design, Human-Computer Interaction
Majid Sarnayzadeh
Performance studies, cognitive science, cultural anthropology, Theater studies, social change, Social Studies
Marielle Schuurman
artistic research, Care ethics, design, moral responsibility
Jocelyn Michel Janon
photography, visual storytelling, methodologies, media, design, fiction-based research, colonial memory, scientific fictionalism, cultural representation, practice-based research, Archival Research, decolonial critique, embodied practice, visual memory, ethics of image-making, historical recontextualisation, Artificial Intelligence (AI)