Researchers
Marie Fahlin 
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Christina Stadlbauer 
interspecies, urban, honeybees, biodiversity, transformation, ritual, kin tsugi, bacteria, Bio Kin Tsugi, mollusk, post qualitative research
Simon Gilbertson 
multiplicity, materialization, music, care, devices of sensing, the in visible society, cross-professional immersion, learning and change, transversality
Samuel Penderbayne 
composition, composition process, composition as research, composition technique, improvisation, jamming, improvised music, improvisational scores, improvisation footage report, hybridization, hybridity, artistic research, aesthetics, Music analysis, music theory, opera, concert music, concert, research for composition, research on composition
Fulya Uçanok 
Response-able sounding practices with humans and more-than-humans, practices of material agency with instruments, accessibility without popularization, spaces of heterogeneous multivalences, and mechanisms of mediation, within the medium of electroacoustic music aesthetics, composition and performance practices.
Illia Razumeiko 
music theater, Composed Theatre, performance; re-enactment; landspace; site; environment;, performance; landscape; video; sound; installation
Maarten Dillen 
auto-ethnography, drawing, visual art, dialogue, artistic research, methodology, art education, PHOTOGRAPHY
Saniya Jafri 
interaction design, food studies, food design, colonialism, memory practice, archive as creative practice, practice-based research
