Researchers

Alexander Damianisch
Artistic and Scientific Research
Lucia D'Errico
music, post-structuralism, electronic music, video performance, graphic design, Deleuze, Derrida, performance, materiality, lacan, epistemology, sound, Speculative Realism, New Materialism, non-human, Algorithmic Composition, experimentation, machine
Mia Engberg
Silence, darkness, cinema, feminism, punk rock, buddhism
Julián Turiel Lobo
Early music, classical music
pol taverne
Printmaking, A/r/tography, Art history
Rinde Louise WIllemijn Yildiz
music, performance, psychiatry, psychoanalysis
Nicolas Pierre Alexandre (NPA) Roudier
Horn, Early music, early music performance, Early Music research, historically informed performance, historical horn, natural horn, instrumental teaching, instrumental technique, instrumental manufacture, history of music
Marketa Kinterova
public space, performative walk, privately owned public space (POPS), participation, psychogeography
Paulo Luís Almeida
drawing, performance, Teaching
Marc Johnson
alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history, alter-history, alternative futures, Archival custody, archival film practice, Archival re-montage, archive fever, archives, artist estate, Artist estate practices, Black art, Black visual culture, Counter-archive, counter-history, counter-narrative, custodial future, custodial futures, decolonial custodianship, Diaspora, Memory and materiality, Mourning, Mourning and archival loss, Post-custodial archives, post-mortem, Practice-based artistic research, Radical Black imagination, Rehearsal as research, Speculative fabulation, submerged mother, Textile art, Textile-based research, tidal form, Tidalectic historiography, Tidalectics, Weaving as methodology, what if history
Alžběta Trojanová
performative walk, Non-Place, environmental art, land art, Site-specific;, non-site, singing
Ladislav Sutnar Faculty of Design and Art
art, artistic research, education, czechia, design
Richard Mills
tipping point, abstraction, representation, blocking, viewer engagement