Ivar Grydeland
improvisation, music, Music Education, Human-machine-Interaction, music technology
Trond Lossius
sound art, installation, audio-visual, field recording, ambisonics, place, real-time, spatial audio, artistic research
Niels Lyhne Løkkegaard
plasma, sedimentation, saturation, softening, decolonial, more-than-human, instrumentalization, folded time, occultism, potentiality, hypering, surrection
Alicia Champlin
bioacoustics, biosignal driven music, sound art, cybernetics, systems aesthetics, communication theory, ontology, Semiotics, live coding, max msp, installation, interactivity, frequency, resonance, EEG, BCI, Body-centered, agency, identity, Feedback
Alexander Rishaug
field recording, acoustic ecology, sound art, listening, deep listening, improvisation, experimental music
Fabian Weiss
PHOTOGRAPHY, VIDEO, Body, embodiment, optimal performance
Ali Mousavi
architecture, urban space, Soundart, practice-based research
Wei-Ya Lin
artistic research, ethnomusicology, indigenous music, Indigenous Studies, indigenous knowledge, Taiwan, Music Education, transdiciplinarity, auditory ontology, composition process, curatorial practices
Francisca Skoogh
performance, western classical music, artistic research, psychology
Jordan Sand
double bass, improvisation, composition, process-based, penguin, Music philosophy, nomadism, breathing, voice, organ, hymn, violin, Collaborative Space
Alexandra Crouwers
ecology, Ecological Consciousness, science fiction, forest, digital art, digital cultures, speculative fiction, divination, technology, interspecies fictions, nonhuman perspective, experimental film, sound art, augmented reality, mixed reality, multispecies, natural science, digital space
Rah Eleh
counter-futurism, ethnic-futurism, Contemporary art, liminal experiences, diaspora, nationalism, queer theory, intersectionality, feminism, postcolonial/decolonial theories, videoart, Installation Art, performance, digital art