Researchers

Mark Tatlow
early music performance, early opera, embodied research, the musical event
Christian Doeller
error, interactive installation, agency, Noise, Human-machine-Interaction, digitalization, digitality, physical computing, sciart, transdiciplinarity, translation, transcriptions, Sculpture, DIGITAL IMAGING, prototyping, generative art
Rikki Wolpowitz
Baroque music in Vienna, JS Bach and Politics, The Death of the Orchestra, Leopold Hofmann, The Origins of Standardized Pitch
Paula Guzzanti
improvisation, affect, performance-making, dance, Choreographic Research, improvisation practice
Els Vanden Meersch
photography, Middle East, Iran
Louise Walleneit
artwork, artistic research, art practice, art education, aesthetics, Body based art, bodytalk, body language, digital art, participatory arts, intervention, textile, McLuhan, bodyextension, Hartmut Rosa, Birgit Schneider, performance, Derrida, Franz Erhard Walter, Rebecca Horn, Mona Hatoum
Tim Sayer
Music Performance, improvisation, music cognition, live electronics, Music Psychology
Mafalda Deville
contemporary dance, Contemporary performance, choreography and performance, feminism, feminist art, vulnerability, Technology Innovation, audiences
Pavel Prokopic
Film Aesthetics, Film Performance, Film Ontology, Cinematography, Experimental Film, Art Cinema, Fiction Film Directing, Affect theory, Film Semiotics
Anna Eline Thømt Roksvåg
design, drawing, study, school
Narges Porsandekhial
writing as practice, socially engaged art, relational aesthetics, public art, drawing, poetry, text, Writing as artistic research, text-based, Institutional Crtique, research-creation
Anja Plonka
somatics, gaia, trauma healing, ecology, ecological trauma, Water, scores, perfomance for camera