Researchers
Mick Wilson 
necropolitics / political community with the dead, foodways and political imaginaries, rhetorical form & method discourse in knowledge conflict
Christopher A. Williams 
Experimental music, improvisation, notation, phenomenology, Fluxus, sound and space, music, music aesthetics, ethics, ethico-aesthetics
Electa Behrens 
voice, voicing, vocal expression, Vocal performance, vocal performance philosophy, Contemporary performance, interaction and immersion, Spaces
Marie-Andrée Robitaille 
contemporary circus, performing arts, posthumanism, new materialism, dialogism, dialogical aesthetic, visual art, sonic interaction design, Sonic Arts, Agential realism, pedagogy, circus arts, Bauhaus, indigenous knowledge, circle, nonlinearity, feminist materialism, ontology, non-representational art, Feelings, composition as research, composition, Choreography, choreographic thinking, interdisciplinarity, transdisciplinary, philosophy, non-human, more-than-human, Climate Change, change, nondiscursivity, Semiotics, imagination, poetry as artistic research, walking as a mode of artistic research, fabulation, epistemology, affirmative ethics, ethics of joy, technopoetics
Bjarni Gunnarsson 
Algorithmic Composition, computer music, electroacoustic music, programming language
Jennifer Anyan 
fashion, art, embodiment, affect, Sensor-technology, performative writing, art writing, autoethnography
Behzad Khosravi Noori 
Contemporary art, contemporary history, Film-making, micro-histories, autoethnography, politics of representation, colonial memory, Global South
Fabian Chyle 
PERFORMANCE STUDIES, DANCE MOVEMENT THERAPY, COMMUNITY DANCE, ARTISTICE RESEARCH, Choreography
Constantinos Miltiadis 
architecture, virtual environments, real-time interaction, spatiotemporal environments, Spatial Audio, philosophy, game studies, virtual reality
Benjamin Jenner 
generative constraint, practice-based research, navigation, sensory awarness, languaging, embodied blindfoldedness, visual deprioritisation
Hui Han Lui 
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Ana Miriam Rebelo 
photography, architecture, public space, photobooks, visual culture, editorial design, design
