Tim Boykett
exploratory practices, futures, mathematics, participation, boating, open processes, facilitation, cargo, physical narration
Rhiannon Jones
artistic research, dialogue, socially engaged art, conversations, practice as research, performance, Visual and Performing Arts
Georgios Varoutsos
Soundscapes, soundwalking, urban space, immersive technologies, acoustic ecology, auto-methodologies, covid-19, field recording, field research
Kristin Norderval
voice, voice and live electronics, composer as performer, opera, music technology, gestural controllers
Archie Reid
posthuman, queer, art process, art, synesthesia, perception, process, media, technology
Oprescu Simina
sound art, philosophy, listening, experimental systems, Immersive Environments, auditory culture, audio-visual, inaudible, Liminal Space, electroacoustic composition, acousmatic, sound architecture, Sound Spatialisation, acoustics, Participatory Art, sound sculpture, instrument design, sonification, psychology, psychoacoustics, Sonic Studies
Melissa Ryke
Embodied listening, sound art, installation, contact improvisation, Video art, acoustic ecology, field recording, listening
Hoai Tran
Fashion, architecture, history of perception, history, Design Thinking, design, materials