Eugene A. Kim
sound, soundscape, piano, Silence, love, intimacy, Multiculturalism, Pluralism, experimental systems, experimental composition
Per Roar
Choreography, Performance studies, Trauma studies, Memory, Autoetnography, Composition, Fieldwork, Politics of representation, Artistic research
Alison Isadora
Music philosophy, notation, ecology, feminism, sound art, Sound
Jessica Kaiser
artistic research, Performance studies, music interpretation, music aesthetics, Music philosophy
Nikolaus Eckhard
capitalocene, futures, materiality, collaboration, socio-ecological transformation, soil
Wei-Ya Lin
artistic research, ethnomusicology, indigenous music, Indigenous Studies, indigenous knowledge, Taiwan, Music Education, transdiciplinarity, auditory ontology, composition process, curatorial practices
Helene Berg
loops, glitches, experimental film, augmented reality, View-Master, kung-fu
Lorena Croceri
performativity, innovation, sexuality, liminality, transdisciplinary studies, Performance studies, mentoring, Entrepreneurship, eroticism, project management
Calum Builder
improvisation, organ, saxophone, spiritual formation, spiral
David Bello Arcos
music in society, public space, public urban space, public sound installation, public art, Public sphere, Public History, nature culture, Social bond, interdisciplinarity, performance, non-human
Olando Whyte
Dance, performance, Dancehall, afrofuturism, Afro-Jamaican dance, Contemporary art, Space, transatlantic cultural heritage, Transatlantic memories, healing, spiritual art, Rituals, Cermonies, historically informed performance, Historical trauma, Generational trauma, PosPost Traumatic slave syndrome, Myalism