Researchers
Marie Fahlin 
Choreography, curating, dressage, centaur, centauring, exhibition, exhibitor, articulation, affect, transposition, composition, transcarnation, touch, tack, aids, terminology, ‘found practice’, ‘found choreography’, expanded choreography, one, oneness, manège, poetry, intimacy, listening, entanglement, embodiment, discursivity, diagram, performing, preforming
Susanne Valerie Granzer 
Philosophy as Arts-Based Research, Philosophy As Arts-Based-Research, Acting, philosophy
Matilde Meireles 
Extended listening, Interconnectivity, interdependence, Documentation as a creative tool, Participation and collaboration
Josué Moreno Prieto 
urban sonic space, generative art, Algorithmic Composition, urban space, Urban Acoustics, Intermedia, SITE-SPECIFIC ART
Linde Ex 
Artistic research, visual art, autoethnography, ecology, more than human worlds, multidisciplinary
Johannes Maria Schmit 
Regie-Theater (Directors’ theater), Consent, Actor, Director, Postdramatic Theater // Transference, Regie-Theater, actor training, transference, psychoanalysis, consent
Jelena Škulis 
materiality, community, feminism, craftivism, textile, textuality, processualism, slowness
Hui Han Lui 
piano performance, historical instruments, historically informed performance, piano technique, Body of the Performer
Zornitsa Stoyanova 
performance, improvisation for performance, emergent meaning, honesty, performance presence, somatics, movement, instant composing, emergent voice, voice in dance, emergent poetry, dance and voice, feminist art, emergence theory, feminist dramaturgy
Olya Zikrata 
wartime sound, Ukraine, activist cultures, sound and violence, ecologies of relation, resistance politics, belliphonic atmospheres, sonic relationality, materiality, new materialism, posthumanism
